[EXPRESSO] Alien: Romulus (2024) | Karmacomalion

After the…something that Alien Covenant was, the series is back, with Fede Alvarez (Don’t Breathe, Evil Dead 2013) in the directing chair, though not with a direct sequel to Alien Covenant, since this one is set between Alien and Aliens.

The plot concerns a group of young adults living on a miner colony controlled by the Wayland-Utani corporation that learn of a dismissed, apparently abandoned cargo ship floating just above their planet, and try to board it so they can raid of resources in order to reach a new, more liveable planet and escape their fate of dying in the mines for the company.

The abandoned spaceship (divived into twins modules named after the legendary founders of Rome, the bothers Romulus and Remus) hides more than precious resource, as in some really hostile – and disgusting – form of alien life…

It’s basically a back to basics affair, but it’s executed incredibly well, especially as it manages to blend elements not only from the first two Alien films, but also from all the others ones, with some notable elegance and in a way that feels (and is) familiar, yes, but in a good way, as in this is what people know and want from an Alien film, and Romulus delivers in spades, with excellent effects, creepy ambiancè, disgusting and fearsome alien creatures, explosive action setpieces, likeable characters you’ve grown attached to, graphic gore, amazing set design, etc..

There’s technically nothing really new, nothing to “push forward” (whatever that means in this case) the series, if you will, but if you’re interested more in having a good-great movie, one that – as a nice “bonus”- actually knows what it wants to be, then Alien Romulus is just that.

Honestly might be the best movie in the series since Alien and Aliens.

[One Piece: Side Pieces | Retrospective] Cross Epoch (manga) [REVIEW]

To close off this little retrospective, there was no other choice, given the recent passing of Akira Toriyama, the author of Doctor Slump & Arale (and nothing else), may he rest in peace.

We’re also going back in time more than with the previous spin-offs (Monsters aside), as Cross Epoch was a 20 pages one-shot manga done by both Oda and Toriyama in 2006, apparently because they wanted to… actually yeah, that’s about the extent on the “why” this came to be.

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[EXPRESSO] The Well (2023) | Castle Freaks

More italian horror, this time from a more recognized yet fairly fresh name, Federico Zampaglione , “fairly” as in he has been for decades the frontman of a popular italian band, Tiromancino, but since the late 2000s he also started directing horror and giallo films, having a Rob Zombie-esque dealio as he casts his wife, Claudia Gerini (a renowed actress in her own right) in his film.

And while it technically had its premiere in 2023, only now it’s getting limited screenings in some regions here in Italy, with plans for more international releases.

The Well is about an art restorer, Lisa Grey (Lauren LaVera), sent to a small italian village in order to restore a medieval painting that has been damaged in a fire decades and decades ago, unaware that there’s a curse on it…

I haven’t seen Zampaglione previous feature length horror films, but i must say i’m pleasantly surprised, given how often modern italian horror films are shit or confusingly made by people that seem to be ashamed or downright hate the very genre they dedicate themselves to.

Given it’s an indie production, i’m honestly amazed at how good the monster make up and the old-fashioned practical gore effects are (some nasty gruesome shit like face ripping and bowel diggery), acting is decent and honestly direction is quite solid, touching mostly predictable but very satisfying ground with the premise and execution, gotta give props for what’s a “Bad End” i did not expect.

Gotta love the cameo from a now aged Giovanni Lombardo Radice, too.

It’s a pretty good throwback to old school italian horror, even despite some questionable stylistical and directorial choices here and there, the production values screaming for some extra budget to properly “bloom”, The Well is a good, solid italian horror film.

Recommended.

[One Piece: Side Pieces | Retrospective] Monsters: 103 Mercies, Dragon, Damnation (2024) [REVIEW]

To kick off this little retrospective about One Piece spin-offs and One Piece related stuff, let’s talk about Monsters: 103 Mercies, Dragon, Damnation, a short anime film adaptation of a 1994 Eiichiro Oda’s one-shot manga, simply – and terribly – titled “Monsters”, though most fans of One Piece have most likely read it when it was later recompiled in “Wanted!”, a volume collection of Oda’s pre-One Piece one shot mangas.

Apparently it was previously adapted in 2021… as a voice comic audio thing, but again, it was a “voice comic” affair, something made as part of the celebration for the series’ publishing its 100^th volume, so this 2024 anime adaptation for streaming services like Netflix might as well be the first.

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Earth Defense Force 4.1: The Shadow Of New Despair PS4 [REVIEW] | #summerofedf

2017 passed, and the alien menace was repelled… for 8 years, as in 2025 the Ravagers returned with a vengeance, striking from within the depths of Mother’s Earth crevices.

I’m cheating a bit as i’m not reviewing the original PS3/X360 release of EDF 4, called Earth Defence Force 2025 in the west since EDF 3 was retitled as EDF 2017, and not randomly as this is a direct sequel of the storyline in EDF 3/2017, which – as we learned by now – the series does every 2 mainline titles before rebooting itself.

Which also means it’s also a remake of sort of EDF 2/Global Defence Force, aside from bringing back some enemies from that entry (and introduces some the very same way in some missions), it also features very similar key plot beats, like the mothership being destroyed halfway through after being teased as the final boss to introduce the actual new, bigger menace.

The B-movie storyline is as fun as ever, as are the hilarious dubbing and insane dialogues shouted by the soldiers, or by some utterly cuckoo operator or scientist that almost orgasms when an air raid is carried out, as somehow this series manages to have even more ridiculous and batshit hilarious exchanges and plot points every entry, as it’s basically not really competing with anything else on the market, but itself, so – as already said by a very peculiar medical student/gaming Youtuber – it has to push the kaiju-alien ants-robots-alien robots-ufo consommè of B-movie delirium even further, and as EDF 5 later managed to, so did EDF 4/4.1 in upping its predecessor.

I’m not gonna spoil how, because the dialogues are really a trashy treat of over the top voice acting and really evoke the old 70s english dub jobs of kung fu films, just for a 50/60s sci fi style romp about aliens that might be ants, robots, both, none, and might be working in tandem.

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[EXPRESSO] Twisters (2024) | That Power Is Yet Unknown

I have to say, for generational reasons, i missed the time where this movie was so widespread, so i watched the 1996 original for the first time just hours before going into theathers to see this follow-up/stand alone sequel, simply called Twisters.

The original was a fun ride, full of hilarious characters played by an amazing cast, though the main focus where the admittely amazing special effects for 1996, and plain old tornadoes were enough to intrigue general audiences.

That said, there is a strangely refreshing quality today to the 90s style approach to disaster movies, even if it’s less “sequel” and more of a remake (a “remaquel”?), as there are parallels, some elements carrying over and characters having similar dynamics, and a similar premise of groups of “tornado hunters”, despite no returning characters from the 1996 movie.

It feels very 90s and it does harness the energy of the original for the most part, with good effects too, in general managing well to update the formula, but intriguingly the core plot actually tackles more how these natural disasters impact peoples’ lives, who’s actually profitting from these, etc.

It’s a shame the movie isn’t willing to concede some needed characterization, more depth to the themes, anything that detract from the “rollercoaster” type of entertaiment, i mean, climate change isn’t mentioned once, and the co-protagonist could almost be cut, as Glenn Powell’s amazing performance of “Tyler Owens”, the ringmaster of a hillbilly storm chasers posse, steals the show.

Twisters almost manages to marry these two different approaches to the formula, but kinda falls short, though in the end it’s still a more than decent movie, one that does feel like a modern take on Twister, even if a bit frustrating since it feels crutched by compromises because of its very legacy.

Halfway through Luigi’s Mansion 2 HD

So, a quick few words about Luigi’s Mansion 2 HD, as it recently released, i got it, but there’s no planned review for it this year (i’m waiting for the port-remake-whatever is gonna be of the first Luigi’s Mansion), so let’s just do a quick impressions-style article/hands on, since i’m basically halfway through it already and i did plan the original 3DS release when it came out.

The short version of it is that i wouldn’t stampede to get a copy if you already played it on 3DS, not that is gonna get cheaper to get in time.

I just wanna stress out this is mostly a release for people that played Luigi’s Mansion 3 and wanna play all the series on Switch, for those that haven’t already played Luigi’s Mansion 2 before and maybe have only a Switch as their modern Nintendo console.

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Shark! AKA Samuel Fuller’s Shark AKA 4 Bastardi Per Un Posto All’Inferno (1969) [REVIEW] | #thesharksix

You can hardly get any more basic with a title like “Shark!” (shouted, of course), so it’s no wonder it got mostly forgotten in time, its status as a pre-Jaws shark film not helping, hence leave it to the italian home video market to release under the title of “4 Bastards For A Place In Hell” (4 Bastardi Per Un Posto All’Inferno), far more eye-catching and way fuckin better than just “Shark (exclamation mark)” though making one expect to see a spaghetti western, because deception and bullshit was always the name of the game when localizing titles of movies here in Italy.

Though it also can be summed up as “the shark movie with Burt Reynolds in it”, as we have basically a shark-laden style “Treasure Of The Sierra Madre” plot as well, with the protagonist being a gunrunner that loses its cargo near a Sudanese harbor town, making him stuck there, until he’s hired by a woman to help a scientist raid a sunken ship in shark-infested waters for some.. “valuables”.

Pity is, he faces competition from other people hired to do the very same thing..

Not to be confused with 1975’s Shark Treasure by Cornel Wilde, also about a sunken treasure and criminals, and one that also publicized itself on the realism of the sharks in it, because… minds think alike, especially when you’re gonna cash into Jaws’ success.

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Earth Defense Force: Insect Armageddon PS3 [REVIEW] | #summerofedf

The EDF wasn’t quite new to spin-offs, as EDF 2 got a tactical turn based spin-off, developed by thinkarts and released westward as a PAL only release under the Global Defence Force: Tactics title, but it’s fair to say this is the more well known one, as it released globally after EDF 2017 as a sort of “fail safe” title, just in case the mainline titles were too niche and “japanesy”, here’s another more tailored to western gamers of the time, developed by now defunct Vicious Cycle Software (Robotech: Battlecry, Puzzle Quest: Challenge Of The Warlords, Dead Head Fred – which i really should review, it’s an interesting little game – The Matt Hazard games, the Pac Man and The Ghostly Adventure duology, alongside a dozen or so of licensed and-or tie-in games about kid oriented IPs like Ben 10, Flushed Away and actually ended their run on a Kung Fu Panda licensed title).

Basically EDF 2017: USA Edition, as willed by D3, which i can’t blame them for, not in retrospective, as it the late 2000s-early 2010s saw basically a giant racist crusade against anything gaming related coming from Japan sweeping the industry, i lived through it and remember too well, so yeah, not surprised D3 went for this option just to be sure it got some footing for EDF.

That aside, the premise is basically EDF: USA in terms of plot as well, very B-movie stuff as expected and desired: aliens, bringing in tow robots and giant insects (and giant robots, which also include giant robot insects) invade the city of New Detroit, and is up to the Strike Force Lightning, a team of elite soldier from the Earth Defense Force, to blast them aliens bastards to bits and save the day.

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The Summer Of EDF will resume tomorrow

the new review for Summer Of EDF should’have been published today, but due what i can only described as “scholar fatigue of cramming too many exams and barely sleeping”, the review will come out tomorrow instead.

Sorry.