So, a “few” words about that Samurai Warriors 5.

While i won’t have a review for the game out anytime soon (as explained in a previous post earlier this month), i want to say a few things about Samurai Warriors 5, after getting the Treasure Box edition (because i’m a sucker for artbook and CDs) and clocking in 32hours (which include finishing the story mode, of course) into it, as a last piece before i give the blog (and myself, to some extent) some rest.

I have like 5 pages of text and notes written about it, but i’ll try to be “brief” here.

It’s better than Dynasty Warriors 9?

Yes, it would have been quite hard to do even worse than that.

But it’s amazing how Omega Force still kinda held unto some of the crappier design choices from that shit title, leading to some old problems of the Warriors series coming back in new, unexpected and baffling ways.

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One Piece TV SP 8: 3D2Y – Overcoming Ace’s Death! Luffy’s Pledge to his Friends (2014) [REVIEW]

Director: Naoyuki Itou

Writer: Hirohiko Kamisaka, Jin Tanaka, Tomohiro Nakayama

Runtime: 108 minutes

I’d say “SPOILER ALERT”, but it’s not like the title itself even tries to hide it, with the subtitle being “Overcoming Ace’s Death”, and since i have seen people parade this “spoiler” arounds anime cons pretty much anywhere (combined with Jump banking on his life status for later derivative works, like One Piece Novel A).

That aside, with “3D2Y” we’re finally getting started for real, finally talking about quite interesting and intriguing stuff, with some ambition and scope to it, instead of just being an abridged retelling or a cute filler-type mini-story, and utilizing the 2 year time-skip to its advantage, not only to evoke an emotional response, but to fill some of the narrative “gaps” left in the story.

In this case, the special is set during Luffy’s training on Amazon Lily, as he learns to control Haki/Ambition from Silver Rayleigh on the island of Ruskaina. Suddendly Navy ships are being attacked and destroyed by Byrinn World, an incredibly powerful pirate that was betrayed by some of its crew members and was held in Impel Down, but escaped after the Paramount War/Marine Ford events. Now reunited with his older brother and the rest of his crew, World kidnaps Boa and Marigold Sandersonia (Hancock’ sisters), so Luffy and Hancock set out to rescue them from World’s ship, while the other Warlords Of The Sea are summoned to deal with the issue at hand.

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Sky Sharks (2020) [REVIEW] | Gott ist im Himmel

Let’s close this year’s Shark Month with a big bang, shall we?

And frankly i don’t think there’s anything better in that regard as Sky Sharks, a movie you’ve might have heard of but wondered when or if it’s actually coming out.

Borne from a succesful Kickstarter campaign, Sky Sharks was supposed to come out in 2018, but production hit roadblocks, various issues came up, for some time we didn’t hear anything about it at all, but then, in 2020 it resurfaced, complete and was released, even on home video (might have to import it, though).

And it was definitelly worth the wait, since this one of those rare shark movies that sets out to be a big B-movie by design, trying to tick all the usual exploitation-but-awesome points… and actually succeds in living up entirely to its trailer promising flying sharks piloted by undead nazi uber-soldiers, alongside nudity and lots of gore. It’s just missing vampires, a christian-protestant feud, psycho priests with bayonet-blades longer than an arm, but i’m really nitpicking in this case.

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Samurai Warriors 5 PS4 DEMO [HANDS-ON]

So, Samurai Warriors 5 it’s gonna be out in a week, and Koei Tecmo decided to release a demo for it, so might as well give it a hands-on, since i won’t be reviewing it at launch.

I did eventually pre-order the Treasure Edition for it (not the collector’s one since Koei basically wanted 70 more bucks just for 5 tiny acrylic stands, fuck off), so i will be playing it, but i won’t have a review out, as i would like to do a retrospective of the Dynasty Warriors series, and maybe the same for the sister series Samurai Warriors, and “do” the games in order.

MAYBE i will just do a quick EXPRESSO review, but for sure not an extensive one.

The demo offers two maps/scenarios from the first chapter of the game, and four playable characters to pick a team of 2 from Hideyoshi Hashiba, No, Eiyasu Tokugawa and Toshiee Maeda (with Nobunaga Oda playable in the story mode but not in Free Mode, at least in this demo offering), with the ability to carry over the save data to the full game when it releases.

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[EXPRESSO] Resident Evil: Infinite Darkness (2021) | Monstrum Abruptum

So, this review wasn’t planned at all, not so soon anyway.

I was aware of the Resident Evil CG films going back from the early 2000s, but i never cared to check them out. This one just came out on Netflix as an exclusive, i decided to watch some episodes… and i have the suspicion this first “season” was originally a short movie, as it’s incredibly short and a bit too much “definitive” in its resolution than expected, let’s say that.

I guess Capcom went for the “Castlevania” approach, with a first season only lasting 4 standard lenght episodes to test the waters, and plans to eventually make more and longer seasons, but this doesn’t change that this thing isn’t exactly mindblowing. Again, at the time of writing (and posting) i haven’t seen the previous CG films, so i can’t compare to that.

But i can say that the dialogue isn’t good, often cringey and redundant. While the 3D CG looks honestly quite good, despite still feeling like a big budget long ensemble of cutscenes from a videogame… this first season barely does anything with the set-up, one oddly located in an early 2000s America where Leon has to stop a conspiracy involving a foreign nation and avoid that the US President (father of Ashley from RE 4) sets on the path of war against China.

It’s just so underwhelming AND short, not really an inspired or surprising script, even the action scenes and the monsters leave a bit to be desired. It’s not completely awful, it’s mildly entertaining, but it’s just so generic, uninspired and forgettable, even as a “foundation”. There IS something to work with, sure, but judging by this, i would expect more stories that barely interconnect and are resolved too quickly to create anything.

We’ll see.

#E32021 Conferences Recap/Review/Thing

As already pointed out, E3 coming back this year was kind of a big deal, as the pandemic made it impossible to be held as usual in 2020, and even with the usual croc of shit that the event is and promotes… it’s a ritual, it’s a tradition for many people with huge interest in videogames, it’s a communal experience.

But i wonder if one year of non holding the event made many companies just forgot what the hell the expo was even supposed to be, like old people forgetting something they usually did out of habit because they had to stop doing it for a reason or others.

Mind you, E3 history is full of cringy – and often legendary – conferences often full of people that barely could speak english or had any PR experiences, overblown lies and hype for everything, announcements of announcement without nothing to show for titles of interest, so it’s telling this year’s output was a complete mess.

I don’t think that’s too hyperbolic to say.

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“It’s Like Pokemon, but with Guns!”, for real this time

So, a couple of days ago a saw someone posting the trailer for this game in Early Access on Steam, called “Palworld”, saying that you were not ready to see it. They were fuckin right, because this game looks incredible. And pending for a legal bending from Nintendo. Or not?

I thought, oh, this is another of these Pokemon clones that are coming out now, like Cassette Beasts, or stuff already released like Monster Crown, who clearly borrow something or a lot from Nintendo popular series, Big N doesn’t have a trademark of “collecting monsters” as a game mechanic, why is this diff- HOLY SHIT, the character did a fly-by shooting with a rifle!!!

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Python II/Pythons 2 (2002) [REVIEW] | The Russian Connection

The snake factory always has more, because it’s easy as always to slap some roman numerals over a snake image and call a movie a sequel to another movie about killer giant snakes, regardless of continuity.

Yeah, another un, tied to the 2000’s Python more by some cast members than anything else, and by that i actually mean William Zabka is here playing one of the lead characters, and it’s still produced by Python Productions and Unified Film Organization.

Clearly it made more sense to use the name “Python” once more, since New Alcatraz bombed very bad, not that it was great, but the fact they didn’t simply title it after the main killer snake probably didn’t help at all.

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Azur Lane: Slow Ahead (2021) [REVIEW] | Slice O’ Boat

Might as well, since that second season or second adaptation of the Kancolle anime is still nowhere to be seen, so once again Azur Lane will outright “eat its lunch”.

And i did already review the previous Azur Lane anime adaptation, so i feel kinda obliged to cover this one as well. Not that it shares a direct connection, as it adapts an on-going Azur Lane 4-koma slice of life manga, Slow Ahead, which omits the whole “kriegsmarine” (and annexed wave ruling) aspect of the franchise and just focuses on the daily lives of the shipgirls living in the Azur Lane base, taking as main characters the girls’ quartet of Laffey, Z23, Ayanami and Javelin.

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The Amazing Colossal Man (1957) [REVIEW] | No Titans Allowed

Released by American International Pictures in a double bill with Cat Girl (not what you’re probably thinking), this Bert I. Gordon “cheese classic” also spawned a sequel, War Of The Colossal Beast, and it embodied – alongside The Incredible Shrinking Man – the 50s B-movie fascination for size alteration, leading to another popular and often parodied drive-in feature, Attack Of The 50 Foot Woman. Mr. B.I.G. himself would go back to this motif not only with the The Cyclops (previously released the same year), Attack Of The Puppet People and the aforementioned sequel to the movie , but even well into the 60s with Village Of The Giants, VERY loosely based off H.G. Wells’ Food Of The Gods, before he actually did a more…let’s say “proper” adaptation of the story. And then followed it with a sequel that had even less to do with the H.G. Wells classic book.

Nothing new, since this is actually an uncredited adaptation of the short sci-fi novel The Nth Man by Homer Eon Flint, a fairly unknown sci-fi author of the early 20th centhury.

Like many B-movies from the 50s, it’s the radioactivity (discovered by Madame Curiè) that’s in the air for you and me. This time it’s Lt. Colonnel Glenn Manning (played by Glenn Langan), who gets hit by a plutonium bomb after rescuing a pilot that just crash-landed near the testing site.

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