[EXPRESSO] Street Fighter (2026) | Human Killing Machine

FIY, i never saw the old 1994 live action adaptation (or the 2006 one).

Still, there is something to be said about modern videogame films somehow failing to adapt the source material, getting lost in bullshit of their own making.

It’s just tiresome to see the new Street Fighter live action reboot catch every rake in the face like Sideshow Bob.

Despite on paper adapting the plot of Street Fighter II, this story focuses on Ryu and Ken being trained together as martial artist, like brothers, until a tragic event sets them apart, but now, with Lord Bison helming the second World Warrior Tournament, they are now bound to meet again….

it’s not bad per sé, but the narrative doesn’t move, as it stumbles drunkenly to setpieces from setpieces for 2 hours, with no focus to anything (we just outright skip big chunks of the tournament), hyperactive editing and weird choices that let you see very little of the otherwise entertaining fight scenes, all leading up to a “stop”, overconfidently setting up the sequel instead of writing a third act.

it has the same kinda of nostalgia (just swapping the ’80s for the ’90s) of the recent Masters Of The Universe film, and the same tone issues, flipping constantly from a quippy comedy where they forgot to put actual jokes in, or being sincere, in a way that neither works, with the actors either sleepwalking their parts or going full ham.

the best thing this movie has, the anime styled flashbacks are cool… just makes you wish the entire movie was made that way.

This isn’t awful, i did enjoy it at times, but it’s on the lower side of mediocre, and i docked the vote down a notch, for similar reasons i already did on the MKII film review.

Hidden Dragon and Crouching Tiger and Sengoku Zombie [MANGA REVIEW] | Warring States Undead (Undead)

Zombies. The horror comfort food, that if an apocalypse actually happened without them, people would somehow make them happen just to not have that Y2K style survival book and mental training for a Walking Dead roleplay go to waste.

After all, we stuck them even in Pride And Prejudice, we had them destroyed by Abraham Lincon, and Sankarea exists to ask questions we shouldn’t really ask.

So of course we were gonna have them mixed with historical fantasy, going basically the Onimusha route but during the Warring States era of Japan (as depicted in popular media like Samurai Warriors more than actual historical drama), specifically reenacting the legendary rivalry between Kenshin Uesugi and Shingen Takeda… in modern day.

Mugen Tenshou: Hidden Dragon and Crouching Tiger and Sengoku Zombie is indeed the manga that dares asks: what if Sengoku era zombie samurais happened today, with a darkness castle emerging out ot nowhere, undead warriors of old, and of course Oda Nobunaga emerges as the Demon King that had been planning this while lying in Hell for centhuries?

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The Spooktacular Eight #36: Snoop Dogg House Of Horrors (2006)

I gotta admit, despite everything (and he sure has bought into some questionable shit) i love me seeing some Snoop Dogg bullshitting around, so yes, have him do a ghetto Cryptkeeper presenting and commenting an anthology of short horror stories themed around an American inner-city ‘hood.

So yes, this is basically a Snoop Dogg licensed “Tales From The Hood”, which i discovered only after locking this into the schedule (and i’ve heard it’s pretty dang good), sorry but we’ll make do.

Yeah, there’s not much to say about the presentation, but i was curious when this showed up on Amazon Prime Video and for some reason has an anime-esque style animated prologue… and yes, it’s because it customary for horror anthologies (as this way they also tribute the old horror comics these films often base their material on), but i was also right, because the animated intro and outro are animated by renowned anime studio MADHOUSE.

Kinda funny because this also predates their work on The Boondocks, though these sequences are stylish but they’re not well animated, let’s be honest, most likely as they were done on the extra cheap, which wouldn’t surprise me, since it’s indicative of the production as a whole.

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Slotherhouse (2023) [REVIEW] | Slay Queen

While i’m sure i can find more old 80s school themed/adjacent slasher, this September we’re doing something a bit more recent for a change, from a chronological standpoint, by unearthing from my Blu-Ray collection 2023’s Slotherhouse.

And yes, indeed, this is a 10/10 title for you killer animal slasher film.

It really is indeed about a killer sloth, and the house is not any common house, it’s a sorority house, where Emily Young, a college student brings a three-toed sloth from the jungle, thinking it can work as a “house mascot” and hence help her be elected as the sorority’s president.

But of course things go awry as a series of sorority girls is being killed, and all the evidence strongly implicates it’s actually the cute sloth the one doing all the murders…

I’ll be honest, the promo material made it look like it was chomping off the modern “retro 80s trend”, specifically aping Happy Death Day…. but i was mistaken, this isn’t the case, as Slotherhouse – aside taking place in modern times – is oddly not even that much interested in aping other slasher films. Not too specifically, anyway.

Continua a leggere “Slotherhouse (2023) [REVIEW] | Slay Queen”

[EXPRESSO] The Invite (2026) | Indoor Games

A curious case, not in itself, even though American remakes of foreign film are (thankfully) becoming extinct, but because we already got a remake of Sentimental, a 2020 Spanish film, as the 2022 Italian Vicini Di Casa….which i basically ignored at the time due to the cast, no joke, and because sentimental comedy dramas in Italy are a crapshoot quality wise.

Yeah, The Invite is indeed that, but since i never saw the original nor the Italian remake, i guess it doesn’t matter for the purposes of this review, which wasn’t planned at all, i went to see this on a whim.

A couple whose relationship is (to put it kindly) on the ropes invite (much to the husband desire not to) their neughbours for dinner, a couple of really extroverted, mysterious and fascinating people, but after a rough start, the night takes an unexpected turn..

This is where you might think i’m not describing the plot any further to avoid the super Shyamalan twist of Seth Rogen revealing he has been Donkey Kong wearing a human skin suit all along, nor because it turns into Funny Games.

I’m still not describing the plot any further because otherwise i still would spoil it, and because it’s indeed pretty much a play, set in an apartment with very fow rooms and very few characters, hinging entirely on the performances, on the characters, as they discuss their issues, antagonize each other, undermine and discover more about themselves, opening up and letting the audience learn more than the initial facade implies, in a intelligent, witty but never too cerebral fashion that it loses that feeling of verysimilitude.

It’s a rare comedy-drama made for actual adults, with amazing performances and characters so compelling you won’t notice how its actually almost 2 hours long.

Recommended.

[EXPRESSO] Forgotten Island (2026) | Filipino Anime Girl Rock

Since this came out first, the question arising is if this or Disney’s Hexen will be better…. though frankly even from the trailers these two movies don’t seem to share anything besides having young teen female protagonists (and in turn being aimed at a similar demographic).

Set in the Philippines, it follows two girls, Jo and Raissa, whom have been BBF since forever, but find their friendship cracking under pressure as Raissa is gonna go to college abroad, while Jo would like for her to remain, but the night before the flight, they find a strange seashell medallion washed ashore, and the end up whisked away on the island of Nakali, where all the mythological creatures they were told about in stories by Jo’s grandma, actually do exist.

And then they have to piece back what they did last night, since don’t remember anything, in a “The Hangover if it was PG” kinda way… but this movie is actually pretty good, with likeable character, it even manages to have a symphatetic villain without completely undermining its menace, and being rooted in Filipino folklore gives it own distinct personality.

It it looked a bit familiar, it’s because its handled by the same director and team of Puss In Boots 2, and you can tell as they cranked up the anime inspired stylization even higher, on top of still feeling the heavy influence of Sony’s Across The Spiderverse (and K-Pop Demon Hunters to an extent), and it makes for a very visually striking and beautifully animated film that still feels like a Dreamworks production.

Though i feel they could have “toned down the anime” a notch, and the narration would have benefitted from actually slowing down, instead of catering to the perception of younger (or adult) audiences being “brainrotted”.

Still pretty good.

Platformation Time Again update plans

I have more updates about the blog to share in the future, but let’s start with something i can confirm right now.

Platformation Time Again not only will keep going as usual (if I could i would make it even more recurring of a rubric), but alongside the EXTEND addendums, a will be dedicating a sub-rubric to collections, compilations, and so on, especially due these are becoming more and more widespread as the industry is really scraping about everything in their back catalogue, and platformers (alongside beat em ups) are a big part of this surge of “new money for old rope”.

Specific rules are being written as of now, but it’s 100 % a thing that will happen regardless.

A couple new EXPRESSO reviews will arrive very soon, in the meantime, and you can read my review of the recently released Heart Of The Beast of you so desire.

See ya.

[EXPRESSO] Teenage Sex And Death At Camp Miasma (2026) | QueerAngela

Freshly released in theathers here, Teenage Sex And Death At Camp Miasma is a classic slasher for the ages… as in, this age, the modern age.

Kris is a queer horror director known for a Psycho remake from the prospective of the shower curtains, that has been tasked with directing the reboot of 80s cult slasher series Camp Miasma (a sort of Friday The 13th crossed with Sleepaway Camp entity), as she is a notorious superfan, but she struggles under the pressure of her own ambition to do something fresh with it, and especially because of the studio push-back to have actress that played thef inal girl in the original film, Billy Presley, come back.

Kris is adamant about it, and decides to meet up nonetheless with Billy, whom has been pretty much living as a recluse in the same place where the first Camp Miasma film was shot….

Yes, it’s indeed a meta-horror that works both as tribute and satire of the 80s slasher, it’s significance today, how the sexual themes reflected anxieties of the era and how this applies in an age where sexuality is very different, especially from a queer prospective, but while it delivers a lot of kills, gore and hilariously excessive geysers of bloods, and it’s more heavy on comedy that you’d expect.

And while it does have an unique “meta twist” that isn’t quite what you’d expect, it’s also fairly straighforward – and deliberately unsubtle- in tackling the genre as a way of sexual self-discovery and emancipation, sold thanks to the amazing performances of Gillian Anderson and Hannah Heinbinder.

Though at times the pacing could be better, and frankly i would have preferred if it ended a scene earlier than it does, but still, Teenage, Sex And Death At Camp Miasma is quite good.

[EXPRESSO] One Night Only (2026) | The Premarital Gex Purge

I was able to see a preview screening for this one, i was curious, as One Night Only has the unique hook of “What if The Purge was about fucking and framed as a quirky rom com?”.

It’s a ni– it’s an elevator pitch that gets you attention, but immediatly you wonder why is this not a dystopian thriller (or horror thriller), as it takes place in an America where they passed a ban on premarital sex, so single people now can copulate only 1 night of the year, with biochips on their arms to enforce compliance.

One guesses it doesn’t apply to non-hetero people, i do guess because we just have the lesbian roommate of the lead girl saying how this is “a thing for the straights”, not that there’s any thought about the terrifying implications of this (or how masturbation factors in), or any of its themes, as the focus is about Allie and Owen, one in search of romanticism during “Fuck Night”, the other having practically broke with her long time girlfriend hours before.

Even if you could ignore ALL OF THAT (and you won’t), the two leads really have little chemistry and you’ll wonder why in this context they didn’t immediatly fuck, not that you’ll care about these two milquetoast characters.

It’s both too heady and nowhere enough, as it wants to be just a casual meet-cute thing, but ultimately is an incredibly regressive, self-righteous, disgusting little film that’s sex-negative, yet wants to be a raunchy sex comedy…. without actually showing any nudity, that you’ll pine for the days of frigging Porky’s.

The movie itself literally says “being an incel is a badge of honor now”, just in case it didn’t already come off as fascist government propaganda selling “The Sex Purge” as a positive thing.

Bad CGI Sharks (2019) [REVIEW] | #thesharklist

With a title like that, you know you’re either in for something that will serve as a perfect snapshot of the era, or you’re gonna eat some rotten bait, punished for willingly walking into an ACME trap.

I do like how to the point it is, like, you already know how crap these modern shark movies are, we’re gonna come clean and maybe lower your expectations even further to the point you may actually like our film, if it can actually somehow rise above being another self-deprecating joke stretched to feature lenght runtime?

This one was also surprisingly elusive since it never streamed on something available here, and out of pure stubborness i ended up importing the US DVD release, i guess Wild Eye Releasing has an exclusive deal of sorts just with Mark Polonia.

That said, this is in a way the “bad shark movie to end all shark movies”, despite some issues we’ll go over, after we go over the plot, because Bad CGI Sharks actually has one.

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