Ghostbusters PS4 [REVIEW] | Bustin’ One Out

Quietly put out as a sequel to the 2016 Ghostbusters movie (the mediocre one people went on harassment campaigns for), this is a budget release through and through, but it’s Activision publishing it, so of course they sold for 60 bucks as its MRSP. Must squeeze all the money out of this licensed cash grab shit-turnip as we can before people notice or stop caring about Ghostbusters.

Or until we release a remaster of the WAAY better (flawed, but still WAY better) Ghostbusters game on PS3/X360/PC. Which just happens to be free on the Epic Store, i didn’t even plan this, but at the time of posting, it’s still given away for free on that platform/store, so i’d recommend nabbing it.

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[EXPRESSO] The Mummy Demastered PSN | Prodigium Posse

Since i got this on the Halloween PSN sale, why not?

And i mean it, sure, it’s based on 2017’s “The Mummy”, that turd of a movie that was supposed to be the “real” launchpad for Universal’s MCU horror equivalent, the Dark Universe.. after trying and failing with Dracula Untold just 3 years earlier.

But it’s also developed by Wayforward, who notoriously built their reputation by actually doing good tie-in licensed videogames (and kickstarting their original series, Shantae), so they could manage to actually do some good with the abysmal source material. And they did.

It’s nothing original, but it’s also a good little Metroidvania title, who puts you in control of a soldier working for Prodigium, the secret company dedicated to defend the world from monsters, tasked by the face of Russel Crowe (who plays Doctor Jekyll in the movie) with defeating the freshly resurrected mummy princess Ahmamet. The plot is basically a side-sequel, as its events run alongside the ones in the movie, so no digitized retro-Tom Cruise to see here. Still, the plot is better narrated here than in the movie, and it’s told almost completely via exposition dumps.

The 16-bit styled retro graphics and the synthwave music are quite good, and while the game doesn’t try to change much of the typical Metroidvania trappings, it’s far from uninspired. Actually, it’s well done, and it also has a touch of “Zombi U”, as when you die you restart at the last save point, taking control of another Prodigium soldier and having to retrieve your equipment and upgrades from the other soldier, now zombified, but still weapon savvy.

It’s also fairly well paced, a bit on the short side, but, enjoyable all the way, and fairly well balanced, not easy but also not impossible. Or too challenging overall.

Hyrule Warriors: Age Of Calamity (DEMO) NSWITCH [Hands-On]

So yeah, this demo dropped kinda out of nowhere (i say “kinda” because a listing on a Soutch Corean site basically gave it away) during yesterday’s Mini Nintendo Direct, and since i’m clamoring to play a new Hyrule Warriors, you bet i’m gonna sink me teeth into it, and write a quick hands-on.

The demo is basically the first chapter of the game, and it will let you use the saved data in the full game. So already it sounds a bit more meaty than the demo they put out for the 3DS port-expansion Hyrule Warriors Legends. And it is.

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[EXPRESSO] Greenland (2020) | Family Fallout

Oh, yes, the indie subgenre of Gerard Butler movies.

For the record, i do like Butler, but for better or for worst you can often easily guess what kind of experience you’re getting in a movie just by seeing him starring in it. This is exactly one such occasion, as Butler stars in another disaster movie, after weathering Geostorm (which i didn’t see) 3 years ago.

This time things are a teensy bit different, as he embarks in a desperate journey to a bunker in Greenland, where maybe him and his family can survive a coming meteor that will fall on Earth and probably cause the extinction of mankind. So yeah, no chance to see him suplex the meteor out of orbit while clad in a mechanical golden god robe, but it’s a more realistic approach, and the focus on surviving the threath more than facing it works better.

Directed by Ric Roman Waugh (Snitch, Angel Has Fallen), Greenland sadly never rises from being … adequate, as it tries to focus more on the drama, but also has no qualms in compromising and forcing conflict so we can have more action scenes, or more twists, doesn’t matter if they’re dumb even in context. Regardless, don’t get locked into a conversation with Butler, he’ll get his way regardless if you do, even at long-range.

The movies tries to be better, but it can’t fully committ to either its more ludicrous or serious elements, decent to good perfomances can’t do much when the main characters are built out of clichès, and the movie wants to hit you over the head with the themes, or cheaply provoke an emotional response. While it’s perfectly watchable, i feel it’s a bit longer than it should, you could have cut 20 minutes out of it.

Serviceable.

School Girl Zombie Hunter PS4 [REVIEW] | Underpants OF THE DEAD

Today Oneechanbara Origins, the remake of the first two titles in the series, launches officially on PS4 and Steam, so let’s rivisit that spin-off of sorts Tamsoft made in 2017, branded as “Zombie Panic Shooting Action”, happening in the Oneechanbara universe. Kinda. Maybe.

Yes, the retail PAL version does exist, i have it!

But it’s also available digital for PS4 and Steam.

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Oneechanbara: Bikini Zombie Slayers WII [REVIEW] | Carpal Zombie Syndrome

As i said in the review of Bikini Samurai Squad, D3 Publisher released that and this Wii exclusive the same year in western territories. Aside being a fairly logical choice to do a “double feature” with games clearly drawing heavily from exploitation cinema of the 70s, these two games happen to be sequels, main installments in the Oneechanbara, as Bikini Zombie Slayers (“Oneechanbara 4”) is set after Bikini Samurai Squad (“Oneechanbara 3”), and features all characters from that game.

The story itself… it’s hard to say it has a plot. I played it years ago and completely forgot anything about the plot, so i had to google it and even that didn’t yield any synopsis, so i had to bust out the game’s physical manual, the old, old school way. One that would never fail… if they actually print any kind of story in the booklet to begin with.

They didn’t in this case.

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[EXPRESSO] Creators – The Past (2019) | Star Odissey Barbarian Italian Gods Of Space Magick

You might be wondering what the hell is this.

I did too, until i remembered the name from 2019’s edition of the Lucca Comic & Games convention in Italy, but i never “investigated” and i….completely forgot about it.

Then again, they didn’t market it AT ALL, despite being an italian production with William Shatner and Gérard Depardieu, alongside a cast mostly made by americans, italian actors at their first role and italian musician Angelo Minoli.

The year is 2012, and an extraordinary planetary aligment is about to happen. The eight members of the Galactic Council (each governing their own planet as a “Creator”) meet to discuss of the coming events, but following an incident they lose an essential artifact, and task a human girl to retrieve it before the planets disalign.

This is the basic gist… the movie itself it’s INSANE, it really lives up to the “colossal” monicker, as they basically threw together 3-4 movies. And – as you would expect – it gets confusing, as the sub-plots splinter into smaller sub-plots, each of the Creators has their hidden agenda, and the movie just keep throwing things at the viewer, like Jesus Christ, aliens abductions, conspiracies, sword and sorcery bits with scorpion-men, the very specifically italian “battle of the oranges”, etc.

And YES, all these things are connected together. The drawback is that with that many subplots and a runtime under 2 hours, some are abruptly resolved in seconds. Often because the movie just makes up new bullshit rules to do so. It’s anything but boring or stale, it’s visually intriguing, there is definitely dedication and ambition here, alongside a lot of money for an italian production of this type.

It tries to set-up sequels.

… I really wouldn’t mind, at all, but i “feel” they ain’t gonna happen.

Oneechanbara: Bikini Samurai Squad X360 [REVIEW] | I Spindle On Your Grave

To celebrate the western release of Oneechanbara Origins coming October 14th, let’s look back at a couple more titles from the series (i have already reviewed the first 2 games, if you’re interested). Due to even more atrocious time costraints, i won’t be reviewing Oneechanbara Z or it’s sequel, not this year.

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[EXPRESSO] Brawl Brothers SNES | OH, Maize!

Played via the SNES – Nintendo Switch Online’s service.

Since i reviewed the last game in the Rushing Beat trilogy (as in, what became of it when Jaleco brought it over as The Peace Keepers), might as well do the second one, or – more appropriately – the western release of Rushing Beat Ran. But since it’s an emulated game, the old code for playing the japanese version works here as well.

And if you go to The Peace Keepers back to Brawl Brothers, you’ll find it hard to believe this one came before, because it’s noticeably the better game, right away it’s obvious, as absurd as it is.

That said, while the gameplay is decent, it apes Final Fight , yes, it also has 4 stages, each being twice as long than usual, long for the sake of it, without the enemy variety to fully sustain it (even for the era)… AND if the pacing wasn’t hampered by the maze-like sections. On paper they should spice things up, make the game less mindless, but they are just obtuse and stupid, as the level design doesn’t comunicate or hints at the “right way”, but its quite happy to still tell you to “GO=>” even when it will lead you into looping into the same ¾ nearly identical corridors.

So 15 minutes in and you will have to either keep trying to access the sewer’s doors in random order or go look up a guide if you wanna save some time. More baffling, this “maze crap”, while it bogs down an other decent – if flawed – game for the time, isn’t even a complete deal breaker, as it applies to just 2 specific sections of the whole game … and it wasn’t even in the Japanese version to begin with.

[EXPRESSO] The Peace Keepers SNES | The Suplexing Complex

Played via the SNES- Nintendo Switch Online’s service.

And i gotta say, despite Nintendo handling this service.. in a totally Nintendo way, sometimes there are surprises, like this forgotten SNES beat em up by Jaleco, actually the third of the Rushing Beat trilogy (which also includes Rival Turf and Brawl Brothers, the latter already released on the service), at least it was originally. I’d say this is a fairly obscure release, as i never even heard of its existence, even by name.

Playing it, i realized why it slipped into obscurity so easily. Just plain ol’ crap in a market – at the time – saturated with tons of titles like that, often better.

It’s hard to say The Peace Keepers is “bad”, as it pretty much plays like Final Fight (aside from a plot that throws movie clichès AND literary references into the pot, with mutants, villains named Iago and places called Ozymandias Island), but it’s not a fast paced affair. Also, the combination of slightly stiff controls and the screen never scrolling properly to the right leads to you dashing into enemies’ fists, not that the game really ever throws tons of foes at you. Which is “good” because each takes more hits than it should to go down in a game like this, making the throws (already a bit too efficient than punches, in a brawler) pretty much mandatory to get anywhere.

Branching paths leading to different bosses and endings are nice but aren’t enough to make the story seems more than a jumbled sequence of scenes. And for some stupid reason the game by default just has the sound effects and ambient noises, i almost went the whole game wondering if the game had no actual music. It does, but you have to change a setting in the options.