One Piece TV SP 2: Open Upon the Great Sea! A Father’s Huge, HUGE Dream! (2003) [REVIEW]

Director: Munehisa Sakai

Writer: Yoshiyuki Suga, Junki Takegami

Runtime: 46 Minutes

Now we’re getting started…kinda, but as this came out when the anime series’ technical quality rose, it’s fair to say it looks better than the previous TV special, and features better presentation overall.

The story see a couple of pirates, Bonnie and Max, tired of working under their captain, Zap, but also have no money or resources to attempt an escape. One of the kidnapped children on the ship, Amanda, overhears them, and proposes a deal to them, since her was a treasure hunter and told her the location of this bounty. They agree, manage to escape to a small island, where the Straw Hats also happen to have landed to see if there’s anything or anyone there.

As the Zap pirates were chasing after the runaways, they find and capture again Amanda… while a narcoleptic Luffy accidentally launches itself into the enemy ship only to fall asleep and it’s also captured and brough to Zap’s boss, Bayan, who wants the treasure Amanda’s father hid for his children. After struggling with the inusual ability of Bayan and his crew, Luffy and company fight the Bayan pirates, find the treasure and Amanda finally understand why her father was never home and why he dedicated so much time and energy on his craft…

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One Piece TV SP 1: Luffy’s Adventure at the Bottom of the Ocean (2000) [REVIEW]

Director: Yukio Kaizawa

Writer: Hashimoto Hiroshi, Junki Takegami

Runtime: 50 minutes

We start your journey through the One Piece anime’s TV specials with one most fans known, and a fairly long one, even if it’s actually on the shorter side for runtime among the TV specials.

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One Piece TV Specials Retrospective

An entire retrospective on One Piece films is coming, but since i already reviewed them all (expect for Stampede, which was due in Japanese cinemas by the end of the retrospective) for the italian Wise Cafe just 2 years ago, and we already covered the OVAs & featurettes last year, i thinked about it and figured making more time pass would lead to better material, instead of me just translating and partially rewriting the old pieces. I want to, but not yet. Not yet.

This retrospective will only consider the 13 TV Specials considered as such, you could argue a lot of special episodes (like the Romance Dawn version 2 anime remake or the Chopperman episodes) also fit, but then i would have also to consider the crossovers episodes with Toriko and Dragon Ball Z, and i’ll come clean: i considered doing them as well, but i simply don’t have the time right now. Sorry.

Look forward to those and an extra One Piece videogame review as well!

[EXPRESSO] Resident Evil: Infinite Darkness (2021) | Monstrum Abruptum

So, this review wasn’t planned at all, not so soon anyway.

I was aware of the Resident Evil CG films going back from the early 2000s, but i never cared to check them out. This one just came out on Netflix as an exclusive, i decided to watch some episodes… and i have the suspicion this first “season” was originally a short movie, as it’s incredibly short and a bit too much “definitive” in its resolution than expected, let’s say that.

I guess Capcom went for the “Castlevania” approach, with a first season only lasting 4 standard lenght episodes to test the waters, and plans to eventually make more and longer seasons, but this doesn’t change that this thing isn’t exactly mindblowing. Again, at the time of writing (and posting) i haven’t seen the previous CG films, so i can’t compare to that.

But i can say that the dialogue isn’t good, often cringey and redundant. While the 3D CG looks honestly quite good, despite still feeling like a big budget long ensemble of cutscenes from a videogame… this first season barely does anything with the set-up, one oddly located in an early 2000s America where Leon has to stop a conspiracy involving a foreign nation and avoid that the US President (father of Ashley from RE 4) sets on the path of war against China.

It’s just so underwhelming AND short, not really an inspired or surprising script, even the action scenes and the monsters leave a bit to be desired. It’s not completely awful, it’s mildly entertaining, but it’s just so generic, uninspired and forgettable, even as a “foundation”. There IS something to work with, sure, but judging by this, i would expect more stories that barely interconnect and are resolved too quickly to create anything.

We’ll see.

#E32021 Conferences Recap/Review/Thing

As already pointed out, E3 coming back this year was kind of a big deal, as the pandemic made it impossible to be held as usual in 2020, and even with the usual croc of shit that the event is and promotes… it’s a ritual, it’s a tradition for many people with huge interest in videogames, it’s a communal experience.

But i wonder if one year of non holding the event made many companies just forgot what the hell the expo was even supposed to be, like old people forgetting something they usually did out of habit because they had to stop doing it for a reason or others.

Mind you, E3 history is full of cringy – and often legendary – conferences often full of people that barely could speak english or had any PR experiences, overblown lies and hype for everything, announcements of announcement without nothing to show for titles of interest, so it’s telling this year’s output was a complete mess.

I don’t think that’s too hyperbolic to say.

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#E32021 Wholesome Direct [Highlights]

Yeah, sorry but due to very limited time on my part, i will kinda have more “double feature” posts.

Especially since this E3 there’s way more conferences and showcase stuff to see, despite Sony basically being absent and EA delaying their crap to a direct thing in July.

Meaning i won’t have to cover it.

Also, since i’m on the subject, i won’t comment or watch the Warner Bros event, as they announced it’s all gonna be about Back 4 Blood and….i don’t really care about it, same for the PC Gaming Show, the Razer one and the final E3 Awards thingie.

And my time is limited, sadly.

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#E32021 Koch Primetime Gaming Stream & IGN EXPO [Highlights]

Yeah, compressing both together for my own convenience and because i really don’t have much to say about the Koch Primetime Stream (originally aired on Twitch) they had. I can say it was quite bad as a showcase for Koch Media new gaming label, named “Prime Matter”, 2 hours of mostly boredom thanks to the shit format of having basically an awkward interview relay race between various developers, with a lot of very dry talk and very little footage shown.

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#E32021 Summer Game Fest [Highlights]

Changed my mind, i will write small recaps/highlights of the various conferences, starting with this one.

Which is reall Geoff Khiley hosting “The Games Awards” by another name… yay?

Even more due to the event being sponsored by Prime Gaming…YAY.

Yeah, i didn’t miss this part of the E3 so much.

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[EXPRESSO] Tom & Jerry (2021) | Featuring Paolo Bonolis from the Paolo Bonolis series

Oddly they decided to release in theathers here as well now, so why not. It’s bound to be more interesting than Cruella or any of the direct-to-video Tom & Jerry movies where they just put the characters in other famous stories, and it could make for a memorable disaster, even more since it’s directed from Tim Story, better remembered for his Fantastic Four movies.

And this is actually the second theathrical movie for the cartoon duo, almost 30 years after the last one, so i was indeed curious.

Plot sees Jerry take refuge into a fancy hotel, which prompts a young employee of the estabilishment to team up with Tom in order to get rid of the mice problem before a big wedding takes place, but eventually they have to put aside their differences to fight the real “villain”, who’s cospiring to ruin the wedding for its own gain.

I wasn’t sure why they eventually went with the hybrid of live action people and computer animated cartoon characters….i guess mostly to enhance the slapstick due to the juxtaposition of cartoon characters (sporting very old school designs too) still adhering to cartoon logic even when interacting with real world people and locations.

Maybe.

This could (and should) easily have been a fully animated feature, but despite the very predictable plot (complete with the “liar’s reveal”) and token human characters, it’s not that bad. At least it has some funny moments (including the by now expected but always welcome Droopy cameo), it keeps Tom and Jerry as a non-talking slapstick duo, the slapstick itself it’s pretty decent, the music is surprinsigly well chosen, and the animation is decent.

To be honest, it’s not good, but it’s arguably a bit better than the 1992’s movie most people from my age have nostalgia for.