[EXPRESSO] Pacific Rim: The Black (Season Two) (2022) | Kaiju Kult

Well, look’s who back, a series that i honestly even forgot existed, but they did announced this second (and final) season, guess that branding helped.

So yeah, while i didn’t hate the first season, Pacific Rim The Black was kinda the perfect example of “Netflix anime”, as in, it looks like anime, it’s produced by an anime company and japanese directors, but you could tell it’s written by non-japanese staff.

Which isn’t necessarily an issue, but you just can tell right away and it creates this slight disconnect, and due to that once again it’s hard to say for whom exactly this is made for exactly, given it’s still made in okayish but still janky 3D CG (and the specific “3D CG anime jank” of Polygon Pictures output), which is kinda offputting for most of the self-proclaimed “anime enthusiasts”.

But on the flipside, it’s not that bad, it’s honestly alright, it’s entertaining enough and this one picks from the point where the first season started having some interesting worldbuilding and character development, and manages to make the plot have some purpose (though it kinda has to, since this is the final season), introducing a death cult of Kaiju worshippers.

It’s an actual improvement over the first season, the writing it’s still nothing impressive, but it’s better, though despite being just another 7 episodes, i did wonder if it was ever supposed to be longer, as some resolutions and events happen very quickly, almost abruptly so.

Again, it’s alright, but as the idea of anime series based on Pacific Rim makes a lot of sense if you think about it, it kinda let you wish it had better animation and a slightly longer lenght.

Still, for a spin-off “western-ish anime” series that didn’t need to exist in the first place… it’s decent.

[EXPRESSO] The Cuphead Show (Season One) (2022) | Ragtime Round

Unlike many videogames to animated series adaptations, Cuphead having his own Netflix show makes some sense, given its aesthetic molded after the style of 1930s cartoons, why not make a cartoon using the characters and the retro-aesthetic?

I’m gonna say this now so we can move on from it, but yes, i really wanted the team to opt for a full proper rubberhose style animation, but that would have required a fuckton more time and money, and honestly the animation is pretty good, with some episodes even mixing live-action sets, and overall i gotta say it delivers on the presentation.

The voice acting is on spot in terms of accents and lingo too, the character designs and mannerism are perfect but in terms of content it’s a bit uneven because it doesn’t really go all the way to imitate the source material, i mean, you expect a lot more in terms of guns, cigars and gambling, but nope, it’s kinda mild and forgettable.

It also basically ignores the plot of the videogame it’s based off, instead going for mostly episodical…. mundane adventures. Yeah, Cuphead owns the Devil its soul… but that goes ultimately nowhere, and the writing it’s uneven, as some episodes do manage to work in a musical number, some good jokes and a good rhytm to the slapstick, others feel like they exist to waste time and deliver cheapo jokes that come off as too modern.

The Cuphead Show it’s an odd case of a series stuck in between a cheapish low effort animated comedy and a tribute to 30s style cartoons, so ultimately it’s just kinda there, inoffensive, fairly short and easy to binge, cute but just with not much of substance going on under its “borrowed” aesthetic.

A second season has already been greenlit, regardless. Mh.

[EXPRESSO] Temple Run: Puzzle Adventure iOS | Thine Freemium Designs

To be brutally honest, this game in itself leaves very little to talk/comment about, as in it’s EXACTLY what you’d think it would be: a generic match-3 puzzle game using the license-name of a popular but old IP that benefits of the deal because people that ever so much do remember Temple Run, with generic character and art style.

Heck, i probably wouldn’t have known it existed if i wasn’t subscribed to Apple Arcade, and this – alongside some of the shittier releases like Galaga + – makes it more obvious how the service’s main selling point of featuring games without ads & microtransactions..is GOOD, but inadvertly exposes how many of these were mostly designed as freemium

We previously reviewed the quite similar match 3 revival of Zoo Keeper on Apple Arcade, but that just happens to be better and way more feature complete overall.

Which makes even more strange how it still feels pretty obvious something it’s “off”, because the game it’s honestly alright, but doesn’t have much to the standard match 3 formula seen a squillion on times, nor does it have an adventure twist despite being called Temple Run… or anything else besides the puzzles themselves.

Still, i played through 50 + of the puzzles and i had to eventually check online what the hell i was getting gems for, as in, you can buy power-ups, but due to the game not telling me at all, often outright handing out some, and the puzzles not being that hard, i wondered if i had to progress to unlock something where to spend the gems.

But nope.

It’s obvious this was designed as a freemium thing first, that easy to imagine it as such.

It’s inoffensive, but also disposable, even on Apple Arcade there are better puzzle games.

Nintendo Direct 9/02/2022 | Rites Of N

That time again, time to put on your robe and attend the ceremony with expectations so far out to make worshippers of the Old Gods looks like wannabe zealots!

Especially since all fair criticism of the company is dropped by most people (and publications) when a Direct happens. But again, this is sadly “business as usual”, let’s move on.

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Dynasty Warriors 9: Empires PS4 [DEMO] [HANDS-ON]

With the game officially launching in the west in less than a month, Koei finally released the demo for Dynasty Warriors 9 Empires…. properly, i saw plenty of people that managed to get it via the Microsoft Store by fenagling with the regional accounts, but even those versions made available for non-english speaking territories had english in it.

Whatever, the demo is out now pretty much everywhere on consoles, and it includes the tutorial for the basic combat and the battle of Changsha, but NOT the Diplomacy phases and political managerie.

Make sense since they want to showcase the revamped Castle Sieges, by letting you play the battle of Changsha on the invading or defensive’s side, and also the revised Edit Mode, it’s an Empires game after, and you will be able to carry over the created officers’ data to the full game.

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One Punch Man: A Hero Nobody Knows PS4 [REVIEW] | Anonimity Force

Worry not, Namco isn’t removing this from sale this February like Jump Force, just shutting down the online servers for it.. already (game came out in 2020), but i’ve played this this past month, so enjoy this extra anime fighter review of One Punch Man: A Hero Nobody Knows, it’s on the house!

On a conceptual level, i feel pity towards a game like this, based on a popular shonen series that turned heads at the time because of it’s modern attitudine and unique premise of an overpowered superhero that defies his goofy look and can literally one-shot any foe he meets with a single punch.

One Punch Man is also more than a gimmick, but the premise was ripe to do something quite different with it in terms of a videogame adaptations… and instead Namco Bandai did exactly the most obvious, lazy and low effort thing they could with the license, another 3D arena anime fighter, in an overpopulated sea of the buggers, mostly all released by Namco Bandai anyway.

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Jump Force PS4 [REVIEW- FUNERAL] | To The Digital Graveyard With You!

One might wonder why review Jump Force now, as it got “internet spanked” quite enough when it came out in 2019. Aside the fact i don’t need a reason to do so… Namco Bandai gave me a big one, by announcing they would remove the game from digital storefronts, alongside the 2 season passes, the DLCs characters and content by february 8th 2022, with online functionalities and features shutting down entirely by August 24th 2022, this on all platforms.

Now, i know this would be reason for joy to many, but i’m an archivist at heart, and while i won’t miss the microtransaction laden bullshit, i find it silly that they didn’t even managed to make a complete edition of it with all the content on disc, only the Deluxe Edition on Switch with the Season Pass 1 content baked in the cart.

So years in the future you won’t be able to play the Season Pass 2 characters at all, which isn’t exactly a loss given the game wasn’t good to begin with, but it’s even more soon-to-be legally lost content. The loss of the online functionalities was inevitable, to a point, but the rest not so much.

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Don’t expect a Pokemon Legend Arceus review in a timely manner

Yeah, one more from the beloved series of “Don’t Expect Anything”, i wouldn’t wanna spoil you too much least you forget the cold, disappointing and cruel embrace of reality.

Gloom aside, the reason for today “episode-ramble” is that i simply haven’t preordered Pokemon Legends Arceus, and so far i’m kinda glad i didn’t, since there are rumors and various leaks about the game’s performance being crap enough to noticeably affect the exploration of the full-on open world this Pokemon game goes for.

To be honest, it looks not worse than Sword and Shield from the official gameplay trailer released some days ago, but also not as good as you would expect since Game Freak didn’t do double duty on this and the Pearl/Diamond remake, i guess they really haven’t got the memo that they can/should make technically polished titles, since they’re not developing for handheld consoles anymore.

And they really can’t pull off “first proper new Pokemon gen game on the system” excuse.

Still, since the game comes out at the end of this month, a day one patch (and most likely more following that) could fix the issue… to some degree. I mean, the game launches in 2 week and 1/2, so it’s simply absurd to expect the situation to be easily dealt with via patches, regardless of how many they will be, for obvious reasons.

Do i still look forward to eventually playing the game itself? Sure, but i’m not going down the mine this time, i’m still bummed by pre-ording Ultrasun/moon, so i will wait to see how the situation evolves over the months, i’m not offering myself as proverbial canary this time. Really tired of that.

That sure was a Pokemon ramble, see ya!

This Summer: One Piece Films Retrospective

As you might now, the new One Piece film, titled One Piece Film: Red, was announced in November 2012 set for a summer 2022 release. Which isn’t really “new” as from One Piece Film Gold in 2016 Toei makes a new movie every 3 years, but i’m finally ready to review all One Piece films… again.

As in – like i previosly told – i previously reviewed them to accompany the release of One Piece Stampede back in 2019 on the original italian version of the blog, so in the previous years i’ve reviewed the One Piece OVAs and the TV Specials, as i wanted to make some time pass, as i’m rewatching them all and writing the reviews from scratch, instead of translating, reworking, polishing the old ones.

Who knows, in time i might have changed my opinions on some…. and i mean “some”, there’s one in particular than i might have even harsher words for, but we’ll see.

Silent Night (2012) [REVIEW] | Remake Night

Ah yes, Christmas horror, a tradition now decades old, one that inevitably leads one to talk about the Silent Night, Deadly Night series, that – while not inventing the notion, as Bob Clark’s Black Christmas was already a decade old itself by then– had quite the impact back in 1984, and definitely helped the subgenre grow into a profitable niche, while also spawning two sequels and two other numbered entries that really had nothing to do with 1984’s Silent Night, Deadly Night at all.

So yeah, if you know me.. you already know we ain’t talking about any of those directly, there’s always a catch, so we’re revisiting the 2012 remake of the 1984 original Silent Night Deadly Night, simply called “Silent Night”, following the then common trend of remakes shortening titles.

It was either that or Silent Night, Bloody Night, which is – odd as it may sound – not a rip-off and actually pre-dates both the original Black Christmas and the original Silent Night, Deadly Night.

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