[EXPRESSO] Resident Evil: Infinite Darkness (2021) | Monstrum Abruptum

So, this review wasn’t planned at all, not so soon anyway.

I was aware of the Resident Evil CG films going back from the early 2000s, but i never cared to check them out. This one just came out on Netflix as an exclusive, i decided to watch some episodes… and i have the suspicion this first “season” was originally a short movie, as it’s incredibly short and a bit too much “definitive” in its resolution than expected, let’s say that.

I guess Capcom went for the “Castlevania” approach, with a first season only lasting 4 standard lenght episodes to test the waters, and plans to eventually make more and longer seasons, but this doesn’t change that this thing isn’t exactly mindblowing. Again, at the time of writing (and posting) i haven’t seen the previous CG films, so i can’t compare to that.

But i can say that the dialogue isn’t good, often cringey and redundant. While the 3D CG looks honestly quite good, despite still feeling like a big budget long ensemble of cutscenes from a videogame… this first season barely does anything with the set-up, one oddly located in an early 2000s America where Leon has to stop a conspiracy involving a foreign nation and avoid that the US President (father of Ashley from RE 4) sets on the path of war against China.

It’s just so underwhelming AND short, not really an inspired or surprising script, even the action scenes and the monsters leave a bit to be desired. It’s not completely awful, it’s mildly entertaining, but it’s just so generic, uninspired and forgettable, even as a “foundation”. There IS something to work with, sure, but judging by this, i would expect more stories that barely interconnect and are resolved too quickly to create anything.

We’ll see.

Aquarium Of The Dead (2021) [REVIEW] | Aqua Zoombies

Today i’m gonna ask you a question, answer sincerely.

Who exactly asked for a Zoombies 3?

I’m not even being sarcastic, i’m genuinely curious because i’m pretty sure most people that at least saw the first Zoombies didn’t knew it had a “sequel” to begin with. This is not a series that has anything as a following, as far as i understand.

But yes, this is actually the third movie in the Zoombies trilogy, despite the title.

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[EXPRESSO] Black Widow (2021) | Velvet Assassins, Inc.

Marvel movies are back into theathers, a fact of life made accidentally more intriguing after the pandemic stopped the torrent of Marvel theatherical releases, and saturation gives way to acceptance and wishing to return to the “pre-Covid 19” habits.

At the very least this particular movie had already plenty of delays and issues behind the scenes before, but the Black Widow “origins” movie is here.

Not exactly my favourite of the Avengers, i will say this upfront, but still, easily more intriguing that anything they could come up with Hawkeye (at least judging what the Marvel movies did with him), i’d say. Like the previous movie hinted at, she had a troubled upbringing, was a KGB, and here we see her momentarily leave the Avengers team (in a timespan between Civil War and Infinity War) to meet up with her old “family”, leading her to take on the villain Taskmaster and confront a figure from her past youth as a selected trainee for the “Black Widow” program.

As Natasha Romanoff is simply human, her origin story uses this to give the movie a more “realistical” feel (though don’t worry, there’s the usual Marvel bombast), and aside from some of the inevitable mentions of the other Avengers, the movie does want to stand on its own and distinguish itself by tackling darker (and a bit more “grounded”) themes than usual, as this action thriller about child soldiers raised -at all cost – to be the most efficient assassins and spies, the new characters are good, there are some fun moments (alongside the usual, obligatory Marvel self-jab).

The cast is pretty dang good too (it has Florence Pugh), and while not sensational, it’s quite entertaining and willing to not really rely on other Marvel movies to tell its own story. Fun one.

Open Water 3: Cage Dive (2017) [REVIEW] | Wisdom N’ The

11 years after Adrift, Lionsgate felt the time was right to resume the “series”, and might as well drop any pretense, so they just released it as Open Water 3 right away, which surely prompted viewers to ask “was there a second one?”. Again, not that it matters because these are completely standalone stories, so you could waltz in theathers in 2017 without any real need to see the “previous ones”.

Not that many moviegoers are bound by that anyway.

If the subtitle sound somewhat familiar, it’s because this third installment in the Open Water series clearly took wind of what Dimension Films was cooking up with 47 Meters Down, it’s not that there’s a copyright on the concept of “cage dive scuba session goes wrong, with sharks”, but this one was released the same year, just 2 months after 47 Meters Down, so comparisons are bound to be made..

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Shark Month BEGINS!

As promised, a monthful of shark movies starts now, but you’ll find it’s not quite totally about sharks, and some other ferocious fishes might be spotlighted for one reason or another, because here at Wise Cafe International we don’t discriminate about people getting eaten by anything or anyone… in movies.

But of course sharks are the main protagonist, it’s Shark Month after all!

Enjoy!

(btw, just managed to finally see A Promising Young Woman, holy shit!)

Don’t expect a review of Godzilla Battle Line

I planned to play and review this one like i did for the other mobile Godzilla titles Toho unleashed on us this year, as in via the EXPRESSO format, but the game just refuses to work on my iPhone, regardless if i reset the device, uninstall and reinstall it, remove other apps to make space in the phone’s memory storage, i have tried for 2 weeks by now to make this damn thing working on my device, but it ALWAYS, without fail, immediatly crashes after being launched.

Despite the app being constantly up to date and my device being compatible with it.

I have no clue why, the updates didn’t change a fuckin thing, and unless the next one magically fixes the issues (which seems to affect other uses with more advanced iPhones), i’m never gonna be able to play the damn thing, and hence i will never be able to review it. And i kinda wanted to do that, for completition’s sake if nothing else.

The review might happen, and they might just update the game to make it work immediatly after i post this, and tomorrow i will be able to play with no issues at all.

But until that happens, the review isn’t either.

Sorry, but that’s the situation, so expect other EXPRESSO reviews coming from tomorrow onwards, today is a forced review-less day.

Mad Max PS4 [REVIEW] | Down Undah

Yeah, remember the debacle and the case of divisive reception on this title?

I do, but it feels like it happened so long ago, despite this being a 2015 release. Such is nature of online discourse on social media, after all, doesn’t matter what the subject is.

I will keep that in mind, but since 6 years are a lot for videogames, i’d say it’s the time to revisit the Avalanche Software’s interpretation of George Miller’s australian apocalyptic world of holy motors and highly stilized weirdos, while i think of the burning coast sands during this city bound and holiday-less summer season.

Let’s see exactly how chrome this game is!

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Hyrule Warriors: Age Of Calamity – Expansion Pass PART 1 [REVIEW]

I did it for Pirate Warriors 4, might as well do it for Age Of Calamity, since it’s also structured in two part as the Season/Expansion Pass for Breath of The Wild was… and since Nintendo itself didn’t really promote it in anyway, revealed this thing was gonna exist and when to expect the content of the pass to arrive, the price, just a couple of images and text. ….Kinda odd.

As promised in the announcement bullet points, this first part of the Expansion Pass won’t add stories or story content, but new types of weapons, new playable characters, and intriguingly new enemies. Alongside the pass immediate bonus of a new costume and weapon (NOT a new weapon type) for Link, which it’s just them giving you something for buying the whole expansion.

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Upcoming Attractions: Sharks und Pirates

(no, a Girls Und Panzer retrospective isn’t afoot… YET)

Just a quick overview of what’s coming for the rest of the summer on the blog.

July will be Shark Month. Usually it is anyway, but this year i actually have managed to pile up enough material (despite everything), so there will be a shark movie review out each day, and maybe some EXPRESSO ones too, depending on when i can get to some releases in theathers.

August will yet again be a One Piece retrospective…. of the TV specials.

Last summer we did go over the featurettes, and it’s still too early for me to properly re-assess all the One Piece movies. Like i said before, i’d prefer some more time to pass,, in order to avoid some lazy rewrite-recycle of the old reviews i made in italian years ago.

Also, i’m gonna take a break from the 15th of August (included) until the 1st of September.

This doesn’t mean i will stop posting at all, since EXPRESSO reviews will be made and published, but any time consuming form of review or retrospective will go on hiatus.

That’s about it, so look forward to another summer of sharks and anime pirates!

#E32021 Conferences Recap/Review/Thing

As already pointed out, E3 coming back this year was kind of a big deal, as the pandemic made it impossible to be held as usual in 2020, and even with the usual croc of shit that the event is and promotes… it’s a ritual, it’s a tradition for many people with huge interest in videogames, it’s a communal experience.

But i wonder if one year of non holding the event made many companies just forgot what the hell the expo was even supposed to be, like old people forgetting something they usually did out of habit because they had to stop doing it for a reason or others.

Mind you, E3 history is full of cringy – and often legendary – conferences often full of people that barely could speak english or had any PR experiences, overblown lies and hype for everything, announcements of announcement without nothing to show for titles of interest, so it’s telling this year’s output was a complete mess.

I don’t think that’s too hyperbolic to say.

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