Noah’s Shark (2021) [REVIEW] #sharksncrocs

Since i couldn’t find the 2017’s Land Shark (not the chinese one we reviewed last year), let’s pick something a bit more recent from the output of Mark Polonia that also almost makes want to revisit and review Shark Exorcist… again. I still don’t want to.

So let us bask in the nourishing homemade waters of Noah’s Shark.

It was either that or “Jurassic Shark 2: Aquapocalypse”, also by Mark Polonia and released in 2021.

Banger of a title, perfect bait for both the naive and the connosseur of “no budget homegrown cinema” that dares challenge audiences with crappy stopmotion dinosaurs and papermaciè sharks.

But still, even in this tier of poverty filmaking we’ve seen worse.

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Apex Predators AKA Jaws of New York (2021) [REVIEW] #sharksncrocs

Younger readers might think they saw everything, heard about everything, but don’t underestimate how deep the abyss is, since i can still search for and find more shark movies i’ve never even heard the title before, doesn’t matter if its decades or days old, the black depths keep spewing them out.

Cards on the table, what did i expect from the director of Ebola Rex, RoboWoman, Axegrinder 2, 5G Zombies, Angry Asian Murder Hornets (just to name a few)?

I’d say nothing, but that is not true, because a mental void would be quite calming, this isn’t the case here.

Plot? Sharks attack the beaches of Los Angeles, leaving corpses around just in time to ruin the opening of a new resort. Done.

The rest – as in 90% of the movie – is boring ass random padding or clumsy exposition dialogue that often has nothing to do with anything else, and even when an actual plot or narrative start manifesting, it just isn’t worth caring or describing in any detail aside from the shark being a spontaneous mutant, or at least we’re told so, and that’ll have to do since we never see any of this.

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Dinoshark (2010) [REVIEW] | #sharksncrocs

More Roger Corman, continuing his b-movie legacy well into the new millennium with the “Roger Corman Presents” line of made for TV or direct-to-video b-movies he produced, this one being a spin-off of sorts of the Dino Croc series. Yes, series.

At the time of writing i haven’t got around to those, not that it matters, as a movie like this was simply bound to be made, and i’m surprised it took this long for the words “dinosaur” and “shark” to be married by the ol’ “b-movie priest”, but i guess 2010 was the year for this kind of trash, as Roger Corman also produced Sharktopus.

The first of the “Sharktopus trilogy” i mean.

Also, apparently this is a remake of 1979’s Up From The Depths, another Jaws rip-off/inspired film.

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Ninja The Protector (1986) [REVIEW] | Obscurity Via Boredom

Suddendly, another ninja rewrite appears in his colored jumpsuit, because i like the challenge of rewriting these, and it does become harder as these movies over time do indeed start bleeding into each other, even more as there are literal dozens upon dozens of these made by – or at least credited to – Godfrey Ho or Joseph Lai, which were very prolific during the 80s.

But this time it’s gonna be followed by a brand new ninja movie review.

Might even NOT be a Ho ninja-pasted affair.

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Beaster Day: Here Comes Peter Cottonhell AKA The Beaster Bunny (2014) [REVIEW] | Behind, The Rabbit

We’re not doing Night Of The Lepus, i’m not feeling like talking about that again, and frankly i don’t have anything else to say about that movie, only that while not good, nor that intriguing and throughly laughable… in time i had a new found appreciation for it, after witnessing shit like Beaster Day: Here Comes Peter Cottonhell, also known as “The Beaster Bunny”.

I’ve reviewed this one before for the older italian blog, but it feels like it was aeons ago, i was more naive, i didn’t yet dive proper into the trashy abyss of the homegrown, DIY no budget cinema waters, where often you wonder why the direct didn’t direct a porno instead that week.

So here we have the counter-example, the mirror image of the Polonia Bros output, as in John Baccus mostly makes cheap “porno spoofs” of whatever random movie series or not, giving us stuff like “Playmate Of The Apes”, “Kinky Kong” or the surprisingly recent “Mad Maxine: Frisky Road”, while occasionally making horror stuff without “erotic” in the title, like “Frankenthug”, or “Bloodz VS Wolvez”, just shy at writing these in leet.

This is one of such occasions, where most of the effort is put into the pun-reference to Rankin/Bass’ Here Comes Peter Cottontail (of which this is extensively a parody, but i wouldn’t really known), and the puppet of the “beaster bunny” itself.

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12 Days Of Dino Dicember #6: Dinosaur Hotel (2021)

It’s kinda sad when i get to review a dinosaur movie that came out this year and immediatly do a double-take as soon as i get a glance of the premise.

Didn’t i review this as Jurassic Games? Why must i lament the need for a more varied kind of trash?

I’m not even talking in terms of flimsy budgets, there’s no creativity to most of this modern trash, i mean, with this title you could do a spoof of Wes Anderson movies and have stop-motion wool dinosaurs in valet outfits or something, do i really have to write the scripts for you?

Also, by total absurd coincidence, it predates Squid Game, as Dinosaur Hotel was released on streaming sites in June 2021, and even its DVD release predates the worlwide September 2021 debut of the hit Netflix series. It would be easy to assume this was made to capitalize on Squid game’s popularity (especially when we’ll get to the premise), but that simply isn’t the case, it’s just another dinosaur film capitalizing on the modern interest in “battle royale/death games” media.

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12 Days Of Dino Dicember #3: Jurassic Expedition (2018)

I don’t know what it was with late 2010s and the small resurgence of “dinosaurs in space” movies, but yes, that off handed comment i made when reviewing Jurassic Galaxy wasn’t for naught, that movie had a “buddy” of sorts, released a year later as… Alien Expedition?

It’s amazing how that was actually the original title, which was quickly changed in most releases because dinosaurs bring all the boys to the yard, after all. “Jurassic” is a palatable adjective, it is.

Seriously, how the hell do you make a low budget sci-fi movie about dinosaur planets and NOT put a dinosaur relevant word in the title? You want people to eventually watch your movie, right?

Even more amazing is that the two movies also share the “dual brothers directors”… just pulling your leg, it’s a guy that just happens to be named Wallace Brothers, and only having made a single film before this one, David And Goliath from 2016, never heard of it before myself.

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The Iced Hunter (2018) [REVIEW] | Mozgus Chaser

Welcome to another installment of “no, you never heard of this one before, and i haven’t either”, with The Iced Hunter, an italian horror fantasy action film directed by Davide Cancila and about the titular “iced hunter” (you can tell his namesake was never intended to be translated in english, because it sounds like a fancy non-IBA approved cocktail or a Blooborne collaboration cafè item), a mysterious non-human warrior with fittingly mysterious origins and with memories not of his own, being trailed by the “Domini Lupi” sect, hellbent of getting rid of him at any cost.

Does this feel like a werewolf spiced live action “redo/reinterpretation” of the “Holy Iron Chain Order” arc in Berserk?

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Mother Krampus 2: Slay Ride (2018) [REVIEW] | Crazy Fat Grandma Myers

As i pointed out in the review of Mother Krampus (a.k.a. 12 Deaths Of Christmas), this isn’t really a sequel, even by the usual lax requirements you find in horror movies there’s no connection whatsover, but was ultimately called Mother Krampus 2: Slay Ride by the american distributor to cash in on the Krampus craze of these years, only to have the UK release confusingly titled just “Mother Krampus”.

At least on the box, the movie itself still says “Mother Krampus 2” (as you can see).

To fuel the confusion, technically this was slated for release in 2016 as “Naughty List”, and at one point was gonna be called “Lady Krampus”, i guess (and this is just speculation) because the other working title “Slay Bells” didn’t exactly wooed any marketing committee.

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Mother Krampus AKA 12 Deaths Of Christmas (2017) [REVIEW] | Christmas Hexe

Since we’re still having a “dinosaur christmas” this year too (though on a smaller and more canonical scale, as previously stated) and now it’s technically december, let’s look at a couple of Christmas horror flicks, just for kicks.

After the Krampus quick “discovery” and exploitation as another spin for chrismas horror movies (often by extremely low budget productions), something else had to be done, ransacking christmas folklore around the world as a way to some kind of legitimacy, which also leads to terribly confusing – even if somehow apt- titles like “Mother Krampus”.

While that itself isn’t confusing, keep in mind we’re talking about the 2017 movie by James Klass, there also Mother Krampus 2: Slay Ride, that came out in 2018, but released on DVD in the UK as just “Mother Krampus”. Not that the movies are connected in any way, but come on, this is some supreme titulatory bullshit, vintage bullshit that should have died out in the 80s.

Continua a leggere “Mother Krampus AKA 12 Deaths Of Christmas (2017) [REVIEW] | Christmas Hexe”