Based on a Stephen King novel of the same name, The Long Walk is set in an alternative 70s America, where a totalitarian fascist rule (following some unclarified economic crisis) helds the titular “Long Walk”, where fifty young teen boys enter to represent their state and they have to walk while keeping a certain pace, and where any kind of action that involves stopping gives them a penalty, with a squadron ensure that after three strikes the runner will be shot dead, this all televised (“to inspire” economic and production growth in the nation, allegedly) and with no clear goal besides thinning the contestants to one, a single winner which will receive a big money prize and to have one wish fulfilled.

On its face, this it seems like a very late adaptation of an older King story (as this was indeed written way back in 1979) made to capture the resurgent interest in battle royales as a widespread and easily recognized concept – even outside of cinema -… and while the premise of King’s novel was indeed prescient, it still feels like its own thing since it doesn’t try to emulate the modern battle royale formula.

It has the themes, surely, but it forgoes any of the exaggerated theathrics by focusing almost exclusively to the titular “long walk”, the deadly youth marathon allegedly meant to be “inspiring”, which also conveniently works as a public execution exercise, a way to manifacture consent and to send a message to any possible young insurgents.

While not overly long itself, the direction does manage to keep the narrative focus, make you feel the insane and exhaustingly pointless death march that seems to never end, but also not bore the viewer thanks to great performances and very well rounded, engrossing teen characters.

Quite riveting.