[EXPRESSO] Superman (2025) | Acape Anew

The long awaited Superman reboot by James Gunn (Tromeo And Juliet, Slither, Guardians Of The Galaxy) is here, after the whole reboot thing done with The Flash movie, so WB can cleanse their hands of previous promises and concept it didn’t want to committ to anymore (when it didn’t flush entire finished movies down the drain).

And indeed it’s a James Gunn superhero film, i mean that in a flattering way because it was the right choice to just point at him and say “fix our shit”, he knows how to do them good and this ain’t no exception. Plus i feel fans of the “Man of steel” have been clamoring for something different from Snyder edginess, and this definitely does change things for the sillier, which it’s a good thing because it acknowledges superhero films can be proper silly without having to be ashamed of some specific silly parts of the source material, which it embraces (Superman’s dog, Krypto, is actually a major side character, and yes he has the lil ‘cape on) but without being lazy about it.

It’s a reboot that also understands it doesn’t have to restabilish the whole mythos by redoing the same things as previous Superman films, people know the character, and the script demonstrates Gunn does too, so it cuts some vestigial superhero film traditions of old for the better, by demonstrating instead of telling or expositioning to death, the plot (itself plucking a lot of characters and plot beats from well known iconic iterations and classic storylines) centering on the public perception of Superman after he’s already established as a hero, despite also ignoring pressing geopolitical matters in order to do the right thing, and Lex Luthor’s efforts to undermine his actions and antagonize the whole world against him.

Good, fun stuff!

[EXPRESSO] Jurassic World: Rebirth (2025) | Site R

5 years after the events of Jurassic World Dominion, dinosaurs didn’t quite adapt too well, with the surviving ones now living in remote off-limits islands with equatorial style climates.

A pharma company tasks a mercenary unit to visit one of these remote “dinosaur islands” in order to retrieve blood samples from 3 apex dinosaurs and helping further a medical research on preventing heart diseases… pity is that the island was also one of the lab sites for the original Jurassic Park where they tested hybrid dinos.

It’s kinda telling that they can’t-wont let of the Jurassic World name even when doing such an obvious “soft reboot” that mentions some things from previous Jurassic films but otherwise it’s a pretty straightforward self-contained story that aims to “go back to the basics”, “return to form”….. but actually pulls that off in pretty much regard, managing to get a good sense of adventure, of actual peril going on, alongside solid characters.

Having an actual renowed director and bringing back the screenwriter of Jurassic Park and Jurassic Park II helps too.

There’s nothing new that hasn’t been done before in basically any dinosaur media, but its familiar without feeling dull, and i do like some of the hybrid mutant dinos inhabiting the island.

It’s more than a notable improvement over the enjoyable but basically big budget Asylum affairs that were the previous JW films, undeniable…. but just “not being Jurassic Prey” doesn’t necessarily make Jurassic World Rebirth “good”, even if now for dino film is either this or way too homegrown shit films with a budget of 30 bucks and a ham sandwich.

I did quite like it personally, but it is kinda a curated “best of” that doesn’t adds anything new to the formula, maybe due to overabundant reverence to the source material.

Jurassic Shark 3: Seavenge (2023) [REVIEW] | #sharkapalooza

After Jurassic Shark 2: Aquapocalypse, Mark Polonia was pretty much given the legal status as guardian of the Jurassic Shark franchise, i guess why not?

The second one….actually, the “other second one”, since Raiders Of The Lost Shark would actually be a more proper sequel made by the same director, this is the level of decadence we’re at, with Jurassic Shark having both official and “more official” sub-series.

I think i just puked in my brain a little. Or a lottle.

Back to the topic at hand, Jurassic Shark 2: Aquapocalypse was another typical Mark Polonia affair, i remember it had “young Popeye cosplaying as the captain from Tin Tin” (maybe a hint of shit to come, in hindsight), it was about another drilling underwater gig bringing out another megalodon shark, and an assassination subplot, or something?

I barely remember, which i guess is the ideal state of mind to watch these.

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Land Shark (2017) [REVIEW] | #sharkapalooza

As we learned through years of shark movies, pretty much anything goes, especially as the budgets move closer to zero, even in these cases you can do a poster that’s way better than the movie could ever be, at the very least. Money is important, but lacking it can’t stop you making your movies about shark of any kind or type, as we already saw in Snow Shark: Ancient Snow Beast.

It’s another Mark Polonia film, but it’s one that immediatly, even after hundreds of these no budget sharks film (often made by him or his friends-colleagues), does make one stop and reflect on the fact that – maybe, maybe – this is crossing some unspoken line or etiquette, even amongst this kind of shark film, when you make a rip-off of Sand Sharks.

And also of Super Shark, which had a giant shark somehow moving on land, but that one was actually so craptastic to be memorable, both movies far older than this, so one has to wonder if – maybe – it wasn’t intentional, but i find it hard to believe the Polonia Brothers (of all people) weren’t aware of previous movies like Sand Sharks. To be more correct, i simply don’t.

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Forbidden Fish Is The Sweetest/ Ningyohime no Gomen ne Gohan AKA The Cannibal Siren [MANGA REVIEW] | Era No Uta

I’d usually go by the official English name of a manga series first, but in this case i’m gonna have to use the localized title publisher JPOP chose for the Italian release, La Sirena Cannibale (The Cannibal Siren), which is actually even better than the original, Ningyohime no Gomen ne Gohan , translating literally to “The Mermaid Princess’ Guilty Meal”, even the latter is more descriptive (and sounds better in Japanese due to the allitteration).

I guess it made more sense given how Italy hugely/almost entirely created and fed the 60s “cannibal boom” in cinema, but i do like it better, sometimes localized titles here can be deceiving, excessively forward (to the point of “spoiling” any surprise effect) or just absurd, but THIS is the kind of “to the point” title that makes sense, so i’m gonna that for the rest of the review.

Written by Hiroshi Noda and illustrated by Takahiro Wakamatsu (also behind Love After World Domination and No Longer Allowed In Another World), The Cannibal Siren is about the mermaid princess Era, who lives happily in the ocean with her fish friends, beloved by all in the undersea kingdom, all is well… until one of her friends get fished out by humans.

She then runs (transforming her fish tail into legs, as mermaids do) to the surface in incognito to pay the final respects, seeing her friend being served by the nearby sushi restaurant, but then, prompted by a patron that jokingly encourages her to eat it – and i quote – “otherwise it won’t go to heaven”, she tries, and finds out she finds it delicious.

Then she begins spiraling out in a cannibalistic frenzy, ready to jump ashore to eat whichever of her subjects is fished out and served on a plate, all on the hush and despite knowing how she is a monster for doing that.

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Tiko And The Shark (1962) [REVIEW] | #sharkapalooza

Oldies time, as i’ve not yet run out of pre-Jaws shark films to cover, apparently,

And it’s oddly a wholesome one, too, as Tiko And The Shark (Ti-Koyo E Il Suo Pescecane) is the age old tale of a bond between a boy and his…. shark. Yeah.

An Italian-France coproduction by Titanus filmed in french Polynesia (the Taomatu island, specifically) and loosely based on the novel “Ti-Koyo And His Shark” by Clement Richer (though basically rewritten by Italo Calvino to be more of a fable here), the film is indeed about the friendship between Ti-Koyo, borne into a Pacific island village of fishermen, whom as a child finds a baby shark while fishing, dubbing it “Manidù”. Some years later, both grown up, they reunite and fish for oyster pearls in a secret laguna that was also their refuge when they were younger.

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Earth Defense Force 6 PS4 [REVIEW] | All You Need Is Kill

As with what is now tradition, after a reboot follows a direct sequel, so Earth Defense Force 6 picks up some years after you killed God (or an alien God), with the global population reduced to a 10 % of what it was, but hey, you won, and reconstruction begun, as it always does.

You play as one of the elite soldiers from Team Storm that succeded in saving the planet years before, sent to a base that needs manpower as while the aliens retreated after… well, the “Hell Comes To Frogtown” ones were left abandoned on Earth, so they kinda still kick around in pure desperation, and you’re sent to deal with these poor bastards after a speech from EDF bootleg (and surprisingly nice) version of Sergeant Hartman from Full Metal Jacket, during the tutorial mission that continues the more attention given to presentation that started with EDF 5.

Then some old teleporting devices start teleporting monsters on Earth again, the monsters start laying down eggs to up their numbers, so it feels like you’re stuck on a loop of exterminating the hordes to avoid the enemies gaining more ground, and it feels like this stalemate is gonna keep going… until the biblical accurate alien mothership comes back, transports and un-transports another mothership kind of vehicle, then drops an entirely new kind of alien foes, very 50s/60s scifi style android enemies that launch their grabby knifed claws from afar.

So shit was already a desperate fight for a ruins filled Earth, NOW it’s basically a desperate struggle to fuck with a 0% chance of winning against super alien Hitler with a box of green army men as actual troops…. until you fight the biblically accurate ring shaped mothership again, fuck up something… and then you’re literally in an early mission of EDF 5.

That’s true, because after this – as the game itself puts it – “The Earth Defense Force 6 begins now”.

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Maneater (2022) [REVIEW] | #sharkapalooza

Some “fresh” meat from…. 3 years ago. Yum.

Another one i randomly bought new for cheap on DVD via Amazon, sight unseen, because my hunger for shark movies it’s apparently endless.

Written and directed by Justin Lee, Maneater’s plot is pretty much the usual affair when talking modern shark movies: a group of friends go on vacation, board a boat that brings them to a remote deserted island where to get their party on, shark happens and it’s one that developed a knack (leave Mark Cerny alone) for human flesh.

This time we don’t have teens, but people in the 30s that have been married or just concluded a long education path, which is something different, i guess, especially since the movie doesn’t have the asshole that fucks everything that moves, or cheating bullshit to pad out the human drama parts, with a subplot involving an old fisherman that harbours vengeance as great white sharks took not only his wife but also recently his daughter.

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Dragon Quest Heroes II PS4 [REVIEW] | #musoumay

You could use many adjectives to describe Omega Force output from the PS2 onward, but definitely not “ambitious”, as Koei first and then Tecmo Koei keep them just as the “Dynasty Warriors” guys, a stigma that just got worse over time, even when they don’t make a Warriors title.

Can’t say its unwarranted either as there are dozens upon dozens of Warriors titles, all iterating from a formula now decades old, to the point there are entire sub-series alongside the well milked mainline Dynasty Warriors and Samurai Warriors franchises.

But Dragon Quest Heroes II is the rare exception, as we will see.

Regardless, its not too surprising this exists, as the first DQ Heroes did well, was received quite well (especially for a musou title), so of course Koei put immediately Omega Force back to work on a sequel, which dropped the ridilicously long subtitle of the first one, and came out the following year, thought we had to wait until 2017 for a western release.

A sequel in DQ or FF fashion, in the sense it’s not a direct story sequel, this isn’t even the same world as the first Dragon Quest Heroes.

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Summer Of EDF redux, Shark-A-Palooza, Idol Honses, Switch 2 and One Piece August

Update time!

Since i’m knee deep in thesis work which it’s gonna take my entire summer and up to October, i had to make some changes to the schedule up to August.

Due to personal stuff, i will be away for thi weekend, hence some EXPRESSO reviews are gonna be late or aren’t gonna happen at all, some were not gonna regardless, for example don’t expect a review of Final Destination Bloodlines as i really haven’t kept up with the series, at all, and this ain’t a reboot, it’s a direct sequel continuining from FD 5, but i will see and review Mission Impossible: Final Reckoning (aka Dead Reckoning Part 2), with some luck i can catch a preview screening for that.

Surprisingly there’s also a Largo Winch movie (this will mean something only to “Europeans” comics fans, maybe) here… but its a sequel to another Largo Winch movie they made in 2008, technically also the sequel to 2011 Largo Winch 2, so it’s the last in a trilogy that just got home video releases (not really publicized at all, too, just put out there) until now here, one i didn’t know it even existed until now.

You know, now i’m kinda tempted to see the movie anyway to see if it made sense to release it as they did. Kinda.

Expect one of Umamusume Pretty Derby too, as the original smarthphone game is finally hitting a global release in late June, i’m gonna be ready.

Summer of EDF is still gonna happen, but will be in “mini” format, meaning 2 reviews instead of the planned 4, and i guess that means we’ll still be doing it next summer, so…

On the flipside, there are gonna be more shark movie reviews, alongside some anime series’ reviews.

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