Worry not, Namco isn’t removing this from sale this February like Jump Force, just shutting down the online servers for it.. already (game came out in 2020), but i’ve played this this past month, so enjoy this extra anime fighter review of One Punch Man: A Hero Nobody Knows, it’s on the house!
On a conceptual level, i feel pity towards a game like this, based on a popular shonen series that turned heads at the time because of it’s modern attitudine and unique premise of an overpowered superhero that defies his goofy look and can literally one-shot any foe he meets with a single punch.
One Punch Man is also more than a gimmick, but the premise was ripe to do something quite different with it in terms of a videogame adaptations… and instead Namco Bandai did exactly the most obvious, lazy and low effort thing they could with the license, another 3D arena anime fighter, in an overpopulated sea of the buggers, mostly all released by Namco Bandai anyway.
Continua a leggere “One Punch Man: A Hero Nobody Knows PS4 [REVIEW] | Anonimity Force”
One might wonder why review Jump Force now, as it got “internet spanked” quite enough when it came out in 2019. Aside the fact i don’t need a reason to do so… Namco Bandai gave me a big one, by announcing they would remove the game from digital storefronts, alongside the 2 season passes, the DLCs characters and content by february 8th 2022, with online functionalities and features shutting down entirely by August 24th 2022, this on all platforms.
Now, i know this would be reason for joy to many, but i’m an archivist at heart, and while i won’t miss the microtransaction laden bullshit, i find it silly that they didn’t even managed to make a complete edition of it with all the content on disc, only the Deluxe Edition on Switch with the Season Pass 1 content baked in the cart.
So years in the future you won’t be able to play the Season Pass 2 characters at all, which isn’t exactly a loss given the game wasn’t good to begin with, but it’s even more soon-to-be legally lost content. The loss of the online functionalities was inevitable, to a point, but the rest not so much.
Continua a leggere “Jump Force PS4 [REVIEW- FUNERAL] | To The Digital Graveyard With You!”
So, yeah, due to the movie Antlers having a surprising – ok, not that surprising – shortlived run in theathers here and being released in a very busy week, i missed it completely, so who knows when it will arrive on VOD here, i’ll just wait for when it releases on home video, most likely wil import it from the UK.
Meaning that the EXPRESSO review of Antlers i planned just won’t happen at all. Pity.
But we did reach the 500th posts total more than a week ago, so bathe in the celebratory anime dance gif, busting out and oldie but goldie.
Not looking forward to that Netflix’s live action Cowboy Bebop adaptation, just putting that out, but i feel like i have to say something about, so i’ll give it a watch and a full review. At least it not an outlandish proposal as the darn live-action One Piece, i saw that post and the partial cast reveal, the cast looks fine, honestly, just can’t imagine that series working in any satisfying or acceptable way with real actors, doesn’t matter how much money they put into the CG.
I guess we didn’t learn the most important lesson of Jump Force (which btw Namco Bandai it’s gonna stop selling – DLCs included – the coming February 2022, so if you want to own it for collection purposes, get it now): realistic redraws of anime characters from One Piece can be quite the terryfing looking human simulacra.
Watch Kill Me Baby, that’s the lesson today kids.
You know what, it’s summer, so a good excuse as any for more One Piece videogame reviews, even more as a coda to the One Piece TV Specials retrospective!
This time we’ll focus on the more recent entry in the Unlimited sub-series of One Piece videogames, Unlimited World R/Red, specifically on its Deluxe Edition re-release/port for PS4, Switch and Steam. It was originally released for 3DS, but it proved popular enough to see a release on PS3, PS Vita and Wii U. I’ve actually played (and reviewed) the Wii U version back in the day, but it’s been a while, more than enough for the experience to feel fresh again and for review purposes.
While the original version had cross-save (3DS to Wii U and PS3 to PS Vita respectively), i feel i should point out right away this Deluxe version… doesn’t for the PS platforms. I didn’t really expect it, but since even the Dragon Crown’s Pro re-release had it, it wouldn’t be absurd to have it here.
Continua a leggere “One Piece: Unlimited World Red (Deluxe Edition) PS4 [REVIEW] | Pirate Cruisin’”
As already pointed out, E3 coming back this year was kind of a big deal, as the pandemic made it impossible to be held as usual in 2020, and even with the usual croc of shit that the event is and promotes… it’s a ritual, it’s a tradition for many people with huge interest in videogames, it’s a communal experience.
But i wonder if one year of non holding the event made many companies just forgot what the hell the expo was even supposed to be, like old people forgetting something they usually did out of habit because they had to stop doing it for a reason or others.
Mind you, E3 history is full of cringy – and often legendary – conferences often full of people that barely could speak english or had any PR experiences, overblown lies and hype for everything, announcements of announcement without nothing to show for titles of interest, so it’s telling this year’s output was a complete mess.
I don’t think that’s too hyperbolic to say.
Continua a leggere “#E32021 Conferences Recap/Review/Thing”
The final piece of rambles-recap-highlights i’m gonna write about this E3 edition… before the actual “final piece” of considerations and overall evalution.
First the long awaited Nintendo Direct, often topped only by the community basically setting themselves up to expect the moon and bitching about when they don’t get it…. or when they get it, because a certain set of people enjoy ranting and being miserable about the videogames they say to love so much, instead of actually playing said interactive entertaiment. You can’t please people that don’t even know what they want.
Continua a leggere “#E32021 Nintendo Direct & Bandai Namco [Highlights]”
Here we are again, for the review of third and final Pirate Warriors 4 DLC Pack.
And i was gonna say this couldn’t be the last thing Koei has planned for the game, given how the company has generaly no shame in selling multiple Season Passes, like it did for DOA 5 or – to circle back – Dynasty Warriors 9. Which had 3 of the damn thing, 2 costing 50 bucks. Each.
But honestly i don’t feel this is case, since it’s also a Namco Bandai joint, and they used this pattern before, with a three-pieced season pass released seasonally for World Seeker, so it would be reasonable to assume we’ll have to wait 5 or more years for another Pirate Warriors title.
Who knows, maybe in that time One Piece will actually reach a conclusion and Koei won’t randomly sponge entire arcs from their videogame adaptation of the series.
Joking aside, i feel lukewarm at the idea of more playable characters for Pirate Warriors 4, like i said in the review of the last Character Pack, good, but i’m just gonna use them on old maps i’ve already played a lot, since i 100 % this game months ago.
And i’m far from a completitionist.
Continua a leggere “One Piece Pirate Warriors 4 – DLC Pack 3 PS4 [REVIEW]”
Another season, another DLC Pack for Pirate Warriors 4, the game that keeps in making you wish there was more of it, not only for what concerns the roster of characters.
But i did that mini-essay for the review of the first Character Pack, and then a full-on editorial about the state of the musou sub-genre as a whole.
So i’m gonna keep this and the next one shorter.
This time the theme is “Worst Generation”, referring to 12 characters belonging to the so called “worst generation” of pirates (and Blackbeard), 11 of which come from nine top pirates crew, and firstly referred to as the Eleven Supernovas, the notable rising pirates from that generation that caught the attention of the World Nobles, and one of them is speculated will become the next Pirate King.
Compared to the first pack, this one was far easier to guess once the theme became clear, because most of the “Worst Generation” pirates were already playable in the base PW 4, some had been since Pirate Warriors 2, even.
Continua a leggere “One Piece Pirate Warriors 4 – DLC Pack 2 PS4 [REVIEW]”
There are many One Pieces videogames, even on smarthphones. This is another one, one that i actually pre-registrered for, but i didn’t noticed it released worlwide a couple of months ago.
For smarthphones we already had a One Piece lite RPG, a beat em up, a fighting game (among others never released outside of Japan, China or are defunct), so i guess it was time for a puzzle game, a match-3 with objectives (in the vein of that puzzle game that rimes with “baba yaga”), done in a chibi-esque style, with the numerous, regognizable and highly marketable cast of One Piece characters rendered as mini-sized round shaped head-dolls, like a cross between the actual “bon bons” pastry items and nicely decapited collectable figures.
And to my surprise, it’s actually fairly good, not original in any shape or form, but it actually retells the story from the beginning in a fairly decent manner (especially given the aesthetic choice), and finds ways to work the various scenes (even minor ones like the girl giving an onigiri to a tied Zoro in Shells Town) into the gameplay, with various goals and gimmicks to keep things interesting. This also means having a “toy on toy” style cutscenes for the more serious or epic scenes, like the ending of the Dracule Mihawk VS Zoro fight at the Baratie… which is a thing, not sure if good or bad though.
As far as the freemium economy goes… it’s nothing worthy of particular scorn, the usual free-to-play crap that is to be expected nowadays (shit as it is), with timers and gacha, but nothing out of the ordinary you haven’t already seen, and often done worst. Despite the usual freemium crap, here you can actually do some progress in a reasonable manner even in the later stages.
Developed By: Natsume Atari
Players: 1 – 4 (online multiplayer only)
Yeah, the one that spawned the “Godzilla is approaching the generator!” meme, as popularized by “Angry” Joe Vargas.
And keeping that in mind, is worth noting that the obnoxiously repeated observation is also pointless, because you can check the “health” of the generator just by looking at how many of the spinnings parts of it are red and unmoving.
Just so you know this is shit from the start.
Bring your shovel, there’s a lot of whatsit to plow through. Continua a leggere “Godzilla PS4 [REVIEW] | King Of The Dumpsters”