[EXPRESSO] Avatar: Fire And Ash (2025) | Cigarette Butts

Here we are again.

Somehow “disappointed”.

Sound silly, i know, the second one was admittedly a bit better than i expected and had some surprises in there… this one having a new Nav’i tribe of brutal savages (just short of being cannibals) isn’t enough to stave off boredom, but then again plot comes third or fourth more than usual this time around, taking a backset for just repeating almost verbatim the same plot beats of Way Of The Water, with some extra piles of new stuff that conveniently happens just because the script needs to -once again – free from capture these dumbass characters.

It’s pointless to be angry about an Avatar movie being another pile of shallow, utter nonsense, but this time around is even more boring dull nonsense that goes for a 3 hours equivalent of jiggling keys to infants, and it has framerate issues, which i don’t remember being a thing when i watched Way Of The Water in theathers just 3 years ago.

Maybe i got lucky back then, but regardless of how it looks that way, it’s distracting since it often fluctuates from looking like a big budget cutscene of a videogame, looking like we’re a HD camera feed from the set, looking actually cinematic, and so on.

It’s just insanely distracting and the added motion smoothing almost gave me a headache, and mind you, this was for a 2D screening.

I was reminded of something actually borderline unwatchable, Resident Evil: The Final Chapter, but the sentiment is there, as i wonder why Cameron keeps making tech demo movies for proven tech (or telling a worthwhile plot with this astounding technological prowess), or he just doesn’t go make videogames instead.

Not that anything of this matters, as people will go see this on droves anyway.

[EXPRESSO] Lupin The IIIrd The Movie: The Immortal Bloodline (2025) | Mystery Of Monkey

So, i did decide to just go see this new Lupin The 3^rd film for funsies, i mean, i sure do love me some Lupin (and it’s a freakin institution here in Italy, so it’s already screening here), and is directed by Takeshi Koike, of Redline fame, i am in.

Problem is, i haven’t really kept up with Lupin many anime iterations, i’m more of a casual enjoyer, and this is meant as the conclusion of Koike’s “Lupin the IIIrd” subseries, maybe a send off for the character of Lupin itself, as it also takes story elements from the very first Lupin The 3^rd movie, The Mistery Of Mamo.

Not that you needed this digest as the movie does a handy recap, which also makes it obvious this isn’t a random Lupin movie at all, but for what concerns this film, is about Lupin & the gang being lured into an uncharted island by someone that knows them very well, and forced to face not only the island venomous mists, but an apparently immortal being known as “Muom”….

I don’t know if this will actually be the last Lupin III film ever, doubt it, but it’s the first one in 30 frigging years made in traditional animation, and it sure as hell looks great, even with the occasional 3D CG bits for the monsters, it’s very stilish, the action is great, but it’s also lacking on plot and character development, despite the very strong start the pacing also suffers as soon as the story does, so it ends up being “almost good” but nothing feels properly developed, more focused on being stylish old school pulp action (more serious in tone than “classic Lupin”), which it is still fun, but the film does ultimately suffer from it.

Decent, but kinda disappointing.

[EXPRESSO] The Running Man (2025) | Twitch Rage

In this era of remakes and reboot, this is one that makes some sense, especially since the older film adaptation of the Stephen King novel (originally published under the “ Richard Bachman” pseudonym) was a fun 80s slice of “Golden Age Schwarzenegger” beefcake action, more heady than the actor usual fare, but not much so, as its revels in being the very kind of thing its supposedly satirizes, with by the plot’s premise of a far future dystopia where a fascist state pacifies the masses via a reality tv bloodsport, The Running Man.

Here indesiderables and anyone that doesn’t obey is labeled a criminal and terrorist, pitted against a gaggle of chasing units, with the task of surviving as long as they can, while there is a “snitches get riches” for civilians reporting – or killing yo’ ass, with a billion dollars prize money for “runner” surviving against all odds and hunting units sent after them, all live on national television.

This version has the protagonist being an enraged father that has been blacklisted from most workplaces for trying to have justice and unionization, signing up for the Running Man show so he can rack up money needed to cure his daughter, and maybe even give his family a better life outside the slums.

It’s a more faithful adaptation of the story, and honestly it’s just a far better film, actually timely in this moment where the dystopian sci-fi futures are pretty much undistinguishable from reality, flying cars aside, with what were once charicatures being plausible, while still delivering lots of bombastic blockbuster action, stylish use of “oldies” for the soundtrack and embodiying the current – and apt- sentiment of “fuck you all, let it burn”, with an ending that might feel like a cop out but isn’t necessarily such.

Ghost Pilots (Arcade Classics Archives Neo Geo) NSWITCHDDL [REVIEW] | My Very Own 194X

I love the Neo Geo, as in, i was a wee child that did always light up when the arcade cabinets started up with that logo and name, letting me know i was in for a good time.

I never owned a Neo Geo cabinet or one of their home consoles, so aside from the odd port on PS1 or PS2 collections, for me Neo Geo was something you went to the arcades, which already tells you how ancient (in prospective) i am, given how that market/scene ended up in the following decades.

That said, i’m glad i never encounted a Ghost Pilots machine, and to be honest i never even heard of this one until i found it and bought its Arcade Classics Archives release on the Nintendo eshop.

As to why, it’s because its one of those early releases for the Neo Geo based hardware that are better forgotten, left in their own little burrow in the ground, their own little cubicle in videogame history.

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[EXPRESSO] Eddington (2025) | Divide Schmivide

Ari Aster doing a COVID-19 crime western comedy thing?

Sign me in!

Set during the 2020 pandemic, we see the local sheriff (played by Joaquin Phoenix) of the small town of of Eddington, New Mexico, get spiffy against the local mayor (played by Pedro Pascal) for the mask mandate, and it escalates to the sheriff deciding to run for mayor himself, sabotage his rival on social media, while the climate gets worse due to events such as the George Floyd’s murder, etc.

I will respect that Aster doesn’t give a shit about making movies that unearth a recent, hugely divisive period of reality people would rather move on from, and yes, this is a cornucopia of deliberately unlikeable characters, from Q-anon pilled conspiracy theorists in-laws, hypocritical liberal youths into activism as long as there’s some pussy to gain from it, cult leaders, grifters, etc.

Problem is, it’s an unfocused mess which satirizes everything but does so in such a shallow and frankly unsatisfying manner, regurgitating stuff we already know and are still living through, with barely a plot to hold onto, something to actually build to, or characters that actually have any depth, feeling even more cartoonishly stupid than they’re meant to, and somehow able to make actors like Pascal and Phoenix come off as bad, which is sadly impressive.

It’s more frustrating than anything else, as the actual jokes that work are too few and far between for an almost 3 hours long movie, and while it picks up a little midway through, it borders on being an completely boring, unfunny movie.

It all feels like an uncomfortable but also flavourless remasticated portrait of 2020 and today’s America; plus, while i did suggest it might take some time to revaluate Beau Is Afraid…. i’m not so sure about Eddington.

[EXPRESSO] One Battle After Another (2025) | Leonardo D. Caprio

While i would have been happy with Licorice Pizza being the last film of Paul Thomas Anderson… wait he did say he wasn’t planning to “do a Tarantino”, and even if he did it would have been hard to believe, as his new film, One Battle After Another, demonstrates.

Which is already a surprise as its not set in some past but in modern days… after starting in the 1980s by showing the freedom fighters-vigilantes calling themselves “The French 75” freeing a group of migrants, one of the being “Ghetto Pat” (DiCaprio) who’s trying to prove his worth to the crew with his explosive expertise, and gets together with the crew’s leader, “Perfidia Beverly Hills” (Teyana Taylor), whom in the operation holds hostage the camp’s commander, Sgt. Lockjaw (Sean Penn).

Later Perfidia and Pat do have a daughter, but Perfidia storms out and goes missing.

16 years later, Pat, now known as “Bob Ferguson”, is forced back into the revolutionary stuff as Lockjaw is back searching for him and his daughter with a PMC worth of forces, so “Bob” has to try and contact the “old band” to save his skin and his daughter… despite being so out of the loop, beyond “rusty”, as he forced to confront his past despite not being cut out for it, at all.

I mean, he’s manic, paranoid, and looks like The Dude if he was more of a mess in every regard, being so out of place, desperate and oddly – but fittingly – tangential in this humour crime comedy drama that is actually able to transition with effect from comedy delirium (there’s a cabal of Santa worshipping hyper racists in it, for once) and the grim, depressing reality of how the injustices keep repeating for the future generations.

A must see film.

[EXPRESSO] Caught Stealing (2025) | Idles Hands

There some irony in a title like that for a filmmaker that already borrowed heavily from other, better directors, but i can’t deny i do like Arofonosky movies (The Whale was great), and i was surprised to see this new one, Caught Stealing, kinda sneak by into theathers.

So instead of taking “cues” from Satoshi Kon this time it goes for a more popular type of cinema, a crime caper set in New York, a 90s NY of people that can barely make rent but will proclaim their love for the San Francisco Giants, as it’s all framed with the titular baseball slang term i had to look up, as the protagonist, Hank, is a generally decent normal guy that could have been a baseball star if a car crash didn’t nip that in the bud.

Hanks calls his mother daily, has a semi-relationship with a nurse, and wants nothing to do with crime, but after accepting to take care of his punk neighbor’s cat while he’s away, he ends up unadvertly dragged into the seedy criminal underbelly due to some very bad luck and a series of absurd circumstances.

This time it feels like Arofonosky wanted to do a Cohen Brothers style crime caper (thought it’s based on a novel of the same name by Charlie Huston) while also retaining his usual style…. and it doesn’t really work until the last act, trying to be unpredictable and marrying very gritty violence with almost slapstick style comedy, coming off as kind of confused than anything, with its various ideas and tones having spent most of the movie fighting each other they do click the end, a little too late.

Terrific performances (especially by the supporting cast) help one wanting to see it through, and it’s not bad…. just kinda baffling.

Cyber Lip (Arcade Archives Neo Geo) NSWITCHDDL | Insain In The Main Brain

Before SNK dedicated itself to make a LOT of fighting games (with a lot of classics, admittely), their output included also action platformers, and run n gun, even before hitting the jackpot with their beloved Metal Slug series, which i’m a really tempted to do a retrospective on… again, since clearly modern SNK it’s more interested in F2P titles that often reuse a lot of assets from the golden age of the series.

So to quench my thirst i searched my Arcade Archives library on the ol’ Switch for some similar Neo Geo run n gun goodness… and noticed i had but didn’t actually play Cyber Lip yet.

It’s referred to as a Metal Slug “clone”, which is incorrect but there’s some truth to it, since Metal Slug itself was fashioned after Contra, so it makes sense a SNK pre-Metal Slug game in that vein does play like Contra, down to the latching into poles on ceilings and stuff, with a boss being a shameless rip-off, but i guess its fine since Contra Shattered Soldier later had a “giant eyed boss” you fight by hanging on a pipe like the one you fight here.

Poetry, indeed.

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Kancolle 1944: Itsuka Ano Umi De/See You Again On Another Quiet Blue Sea (2022) [REVIEW] | The Real Fleet Girls

So yeah, that “season 2 which it’s actually not a second season” of the Kancolle anime did happen, i wasn’t able to re/write any of my old pieces on the first season and the follow-up movie, but we can actually do that next year, since this – let’s make it EXTRA clear – this ain’t the continuation/second season, but a completely different Kancolle anime project that had been years in the works without any info or proof it wasn’t scrapped… until it resurfaced in early 2022 as Kancolle 1944: Itsuka Ano Umi De, translated/localized “Kancolle 1944: See You Again On Another Quiet Blue Sea”.

And by “years in the works” i mean that there was enough time for rival series Azur Lane to make its own anime series with Azur Lane: The Animation, and then adapt a spin-off 4 panel manga into animation with Azur Lane: Slow Ahead… so much time that i did review that!

Look, i’m sure Kancolle still has its fans (me included) and a decent player base in its original browser game iteration, but even when this new anime series eventually surfaced… it did so to a dead fanbase, as the franchise was basically “dead” in terms of international appeal, with most people moving on to either Azur Lane, give Arpeggio Of Blue Steel a rewatch, or moving on to other gacha (or gacha adjacent) games with a similar theme, a healthy playerbase or some other anime-multimedia franchise that had content and had become popular, like Umamusume Pretty Derby, with the anime series and its seasons managing to keep interest even when the main product (a F2P smarthphone game) was delayed for 3 years before even just Japanese players could get their hands on it, alongside the spin-offs, related projects, even a brand new feature film.

Sometimes there’s taking so long that the fanbase dies in the meantime in terms of “being late”, as Kancolle 1944 demonstrates, but let’s get to it!

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Earth Defense Force: World Brothers 2 PS4 [REVIEW] | Gaia’s Wrath

Given the first World Brothers turned out quite well in terms of review and profits, D3 did the obvious, by greenlighting a sequel, simply called EDF World Brothers 2.

Obvious to a certain degree because EDF spin-off never received sequels, but i did like the first World Brothers, so i was more than happy to see Yuke’s (also behind EDF Iron Rain) come back for more voxel Earth Defense Force.

This is a direct sequel as well, and this time, after watching the skies so hard in case of another alien invasion coming from there, we get bitten in the ass by a monster that was inside our squared, voxely Mother Earth, Gaiarch, which erupts from its core and breaks the world apart, meaning it’s up to the EDF once again to make the planet whole by sticking back the destroyed pieces.

This is done by your team of newbies trying to find the more experienced EDF members scattered around the globe, and also new allies like an alien-esque amnesiac girl (that’s like an anthromorphized version of the Daroga enemies, since she loves the buggers and has a Daroga style hat of sorts), new and old bros and sisters, a time travelling Caesar (not the monkey), highlighted by odd giant replicas of the main EDF classes to fight as enemies before taking down a mothership.

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