[EXPRESSO] The Odyssey (2026) | Our 1UP Man

I will say that there are legitimate criticism to be made about this new Nolan adaptation of the greek epic, especially those about historical accuracy, in a movie that opts for a realistic war movie-ish tone…. but on the other hand, what did people expect when Anne Hathaway is Penelope and one of the first thing we saw about the film were those superhero style armors?

Since it not even a 3 hours long film, it doesn’t opt for a complete retelling, but in line with Nolan’s style, the whole thing is framed as “ memory box/machine” for Odysseus to unravel as he wakes up from 7 years of oblivion (as the lotus flowers he was fed make people forget) on Calypso’s island, this after ending the 8 year longs Trojan War via his wooden horse ploy, and had many adventures on his attempt to reach his home island of Ithaka.

There his wife, Penelope, has held off contenders to the throne for 20 years via a scheme, and his son, Telemachus, that still believes his father is alive, goes searching for him, while Odysseus himself comes home posing as a vagrant, only to prove his identity and slaughter the disrespectful contenders that leeched off his hospitality.

It does most of the expected stories of the epic, while taking various liberties (especially in the Polyphemus encounter) and arguably omitting a lot, but i’ll say that despite some flaws (the superhero style armours, trying to frame the Greek morality in a certain way, the Hollywood casting), Nolan’s The Odyssey does live up to expectations, delivering a powerful rendition of the poem in a way that calling “epic” does actually seem fit, it has that gravitas and majesty of the old Hollywood, it’s arguably one of Nolan’s best in a while too.

The Mysterious Island AKA Odysseus And The Giant Polyphemus (1905) [REVIEW] | Odeon Days

You know me, i’m not one to go try and please the algorhythm, and since there’s no really much in terms of full lenght features trying to adapt the whole Odyssey itself (there is a recent UK production called Itaka: The Return, but even that is mostly focused on the titular return of Odysseus at his home in Itaka after decades, and not much else)…… you know what, we’re going REALLY back this time around.

Not to the 70s miniseries for TV, back to the 1900s, when cinema was in its “puppet stage”… actually, more aptly it’s “parlor trick era”, since today we’re talking about one of the many films (by now not even registering as short films, or shorts) by the profilic primordial magician of cinema, Georges Meliès, which i feel needs no introduction, otherwise this will turn into an introduction to the early days of cinema, but basically, he was a magician in the literal sense, a stage magician but using film as his tool, and to which we owe a LOT of early cinematic special effects, which now look primitive, but sure as hell weren’t when people weren’t used to video footage of any kind.

For the time it must have felt like real magic, to say the least.

Even more impressive, Melies had been doing these films for a decade, so in a way it’s not too surprising this 1905 adaptation isn’t more remembered than his Voyage To The Moon or The Impossible Voyage, despite not being lost or anything like that, quite the opposite, since – as far as i know – this always appeared in the catalogues of production by Melies’ company, Star Films.

Sure as hell it doesn’t help that its original title was L’ilè De Calypso, literally “Calypso’s Island”, even less when it was sold internationally as The Mysterious Island, or given the subtitle of “Ulysse et le geant Polypheme”, Ulysses And The Giant Polyphemus.

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Disgaea Mayhem PS5 [DEMO] | FIRST IMPRESSIONS

So, yeah, NIS hasn’t been too vocal about it, but yes, they are doing basically “Disgaea Musou/Warriors”, just in-house, and it comes out on the 23th, in a couple of weeks, i’ve actually preordered the Limited Edition this time, but i’ve seen the demo pop up, might as well give it a whirl.

And let’s just say i wasn’t impressed… actually i was baffled, but for different reasons that you might think.

The reasons being that this is an AWFUL demo.

Like, it’s become clear NIS has no faith in this game, but a demo like this feels just short of self-sabotage, like they actually want this to fail? What the fuck is the point of even throwing this together?

The demo already befuddles on the first impact because there is no story or cutscenes at all, you’re thrown into an empty little hub with a single Prinny to talk to in order to access the three levels/stages on offer; so already if you wanted Disgaea’s style of comedy you’ll have to check the inventory for the “demo weapons, not for sale” bit in the info boxes.

What the demo does have is three special demo stages, but they sure don’t feel special, they are of slightly rising difficulty, but barely so, and they are so short that i was able to see all the content in the demo in about 15 minutes.

Some demos give away too much, but the one for Disgaea Mayhem is exactly the opposite.

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[EXPRESSO] Arion (1986) | Anime Titans

Yeah, i’m gonna bend the rules this time around since this is a 40^th anniversary restoration of a 1986 anime film that never got released here in theathers (or anywhere), just preceed by a recent release of the manga of the same name the film is based on, needed since i never even heard of this.

Somehow, as this isn’t some random anime film, this is written, directed and illustrated by Yoshikazu Yasuhito (also behind the original manga work), a legend known for his character designs on the original Mobile Suit Gundam anime, with orchestral soundtrack by composer Joe Hisashi of Ghibli fame.

Despite being named after a mythological black horse that – among other things – saved the king of Argos, thestory of Arion is basically a retelling of Greek mythology filtered through Japanese sensibilities (worth remembering Saint Seiya started just a year prior) that mashes the many myths and re-elaborates the various gods, demigods, humans and lore in a way that’s still kinda unique to this day, and fits the subject matter while standing on its own legs.

Arion is the demi-god spawn of Poseidon, kidnapped as a child by Hades and raised to believe his mother’s blindness was caused by Zeus and that killing him would cure her, so he sets on a quest only to eventually find out the truth and try to fight back against the fate as the Olympian gods willed it…

Honestly it’s amazing, it’s definitely not just stunning to look at with his meticulous hand drawn animation by Sunrise that still looks impressive, it also lives up to being an epic action-adventure, with lots of action, conflict, magic and brutality (plus very brief occasional whismy), superbly paced, that is still pretty dang impressive to see in cinemas even today.

Very good stuff.

Raging Blades PS2 [REVIEW] | Arcade Axe

Yet more fuel for the bargain bin PS2 bonfire with an arguably even more obscure niche hack n slash title from an even more forgotten ilk, as Bujingai was at least co-developed by Taito and Red Entertaiment, the latter being behind the PS2 Gungrave games as well as Sakura Wars So Long My Love, the Fossil Fighter games, or much of the Record Of Agarest series.

Instead Raging Blades (originally called Raging Bless in Japan) comes from a developer pretty much unknown, Pacific Century Cyber Works (PCCW), whose portfolio mostly consist of this, something called Dream Audition and some racing or idol games that never left Japan, and was distributed by Wanadoo, one of those European publisher that no one remembers but did have a presence back in the day, though i remember them mostly for their logo on PC graphic adventure like the Necronomicon titles, and later a lot of tie-in shovelware… but also the PS2 reboot of an old Tecmo series, Rygar The Legendary Adventure, which i will eventually feature here.

That aside, this is even more distant, because while Bujingai was surprisingly pretty nifty and complex for a 2003 release, Raging Blades also released the same year yet it’s at the complete opposite end of the spectrum, being pretty much a 3D styled take on Golden Axe, its roots in the arcade years of the genre pretty much unfazed by how the genre evolved in the third dimension and especially from Devil May Cry on forward.

It’s so arcade there’s no “Continue” option from the main menu, because you’re expected to beat the story mode in one setting.

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Mortal Kombat (2021) [REVIEW] | Kombat Set-Up

Preface: i never saw the old MK movies, i really never cared about Mortal Kombat back in the day , but i do like gore, the old theme song, known the basic premise of the series, and some stuff i’ve absorbed by cultural osmosis, so why not?

Helps this is also a reboot of the MK film series.

The premise centers about mystical deathmatch tournament between the Outworld and The Earthrealm, as the chosen fighters of each factions engage in the titular “mortal combat”. As the Outworld has won nine of the previous tournaments and it’s set that the Earthrealm will be conquered by the Outworld if they lose the 10^th tournament as well, but there’s a prophecy about a new generation of Earthrealm fighters that will be united by the “blood of Hanzo Hasashi”.

So both sides try to locate the new chosen fighters for Earthrealm (recognizable by the dragon marking on their skin) to either eliminate or assist them before they can enter the tournament.

This “united by the blood of Hanzo” is an excuse to start off the movie in 17^th centhury Japan with a flashback about chinese assassin Bi-Han (aka Subzero) killing Hanzo and his family.

Its a strong opening, but after that we’re in a modern day America, following this Cole Young fellow, a now washed up MMA fighter, whose life gets even worse as he too is targeted by Bi Han/Subzero, now working for Outworld’s mystic sorcerer Shang Tsung, as he sending his underlings to preemptively kill all the Earthrealm champions so the next Mortal Kombat tournament won’t even be taken, and Cole indeed sports the dragon marking, unaware of his heritage and thrown into this when he just wants to protect his family…

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Bujingai: Swordmaster PS2 [REVIEW] | Wuxia GACKT Action

You think you know the depths of the Playstation 2 library.

You don’t. You just don’t.

If this wasn’t the case, a title like Bujingai: Swormaster would have been covered by gaming Youtubers as a “forgotten gem” to the point it’s not forgotten at all anymore.

And yet, 99 % of you before know never knew there was a PS2 era hack n slash in the vein of Devil May Cry but where you play as sci-fi wuxia Gackt.

Again, the PS2 library is so big we still are finding more obscure titles to showcase.

Personally, i remember seeing this one a lot in bargain bin cases after a while, since it was distributed here by 505 Games/Gamestreeet (figures since they are an Italy based distributor), which back in the early 2000s were famous for mostly peddling ol’ budget games/shovelware by the bucketloads, so that didn’t help, but at least a PAL copy is fairly cheap and easy to find still today.

Can’t say the cover helped because sure as hell the general public wasn’t gonna go “is that Gackt?” after looking at the box art.

But yes, he gave right to the teams to use his likeness for the main character, Lau Wong, a wuxia hero that has to do the usual: sky surf on an ethereal cloud while doing the usual wuxia ballet-combat aerobics and eventually go back to Earth, 100 years after an apocalyptic event wiped out most of the population while giving survivors powers, to rid the planet of a demonic army that has holed up in the asian city of Bujingai.

And since it’s a martial arts inspired game, it just happens the head of the demon army is a former fellow martial arts student turned rival that has gone evil, as you do in these.

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Monster Run (2020) [REVIEW] | #giantmonstermarch

While there are some old Taiwanese film i could have choose, i do like to eventually check in with some more modern film made by China, as in Mainland “Taipei is gonna be ours eventually” China, and maybe this time something that doesn’t exactly fall into the “web movie” Asylum-esque category, as in something actually meant for theathers.

Also, this bucks the general trend of these Chinese monster film being overly short, as this is almost 2 hours long… not for the best, but first, plot.

Which one would assume it’s like the starting chapter of Bleach but swapping the genders of Ichigo and Rukia, since Letterboxed’s synopsis is worded in a way that you’d assume this was based on a shonen manga of sorts, but nope, it’s actually about a girl, Ji Mo, an outcast due to her ability to see things no other people can. Not ghosts or spirits, but monsters, which of course made others think she’s just a psycho and for which she has been sent to the looney bin once before.

Her life changes when she meets a monster hunter, and discovers she has an important role to play in adverting a coming disaster…

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Jack Frost: The Amytiville [MANWHA REVIEW] | The Teen Hellsing Years

This has been on my bucketlist for a while because it was such a transparent case to me.

As in, sometimes you have comics more or less explicit in showing their inspiration, their model to copy and emulate, happens a lot in shonen manga but it’s not always what one would assume

Sometimes it can be just a conflation of this kind of comics being very iterative and built (like most books and movies, for that matter) on clichès, on proven formats, time-tested formula, so similarities are often more coincidence than deliberate emulation of a specific series among the sea of many similar ones, expecially when in turn they influence each other as they go, and in time are themselves taken as examplse to follow.

But once i laid eyes on this manwha (a “korean manga”) by Ko Jin-Ho, Jack Frost: The Amityville, aimed at basically the same demographic of an edgy Shonen Jump series, then red the first volume, i was kinda happy in how immediatly obvious it was to me what this wanted to be.

As in, a more shonen take on Hellsing, the renowed pulp classic by Kohta Hirano about vampires, guns bigger than people, religious freaks with knives that double as lances and undead nazi cyborg monsters.

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[EXPRESSO] Return To Silent Hill (2026) | Pyramid Ass

Okay, i’ll confess i haven’t really played proper the mainline Silent Hill games, as ironic it might sound given my obsession with horror in general, and while deserving the tar & feathering, i will say i do know at least the premise of Silent Hill 2 and some surface stuff about the plot and characters via cultural osmosis.

I say this because Return To Silent Hill is sold as a faithful adaptation of Silent Hill 2, not a sequel of the first Silent Hill film from 2006, apparently, i never bothered with the SH movies either.

That said, the premise is what you’d expect for a Silent Hill 2 film adaptation: James Sunderland is devastated after being separated from his love, Mary, receives a mysterious letter that leads him back to the sleepy town of Silent Hill, where he hopes to find Mary.

Upon entering town, though, he realizes Silent Hill has changed drastically, as he fears something malevolent is haunting it, and while struggling to discern reality from allucinations, he ventures hoping he’ll be strong enough to find and rescue Mary…

the director of 2006’s Silent Hill film, Cristophe Gans, is back here, but (as explained above) that doesn’t mean anything to me as of now nor stops this from being a honestly aggressively bad film.

Sorry, it’s just not good, at all, every way you slice it, production values are high and acting is decent, but it feels more a 2000’s high budget amusement park ride adaptation of Silent Hill 2, with the script triple-explaining everything in case you got a lobotomy after entering the cinema, it’s almost a parody so veemently the scripts fights any attempt at vagueness, let alone mystery.

Still, i’ve seen far worse horror films, at least it’s not boring and goes by fairly quickly.